Oil on stretched canvas, ready to hang.
Signed certificate of authenticity.
By arresting and referencing frames from select films I seek to recontextualize the allegorical power that these images possess. Allowing time to witness these fleeting moments, I utilise divine symmetry, mise-en-scène, colour and process to highlight the symbiotic relationship between film and painting. The canvas size/composition is based on the Golden Ratio, 1.618.
I use top quality oil paints (Michael Harding, Gamblin, W&N) and an archival oil medium I have created myself from researching 15th century recipe materials. I used coveted expensive pigments such as Genuine Chinese Vermillion, Lead White and Lapis Lazuli throughout the painting in homage to the old masters.
Oil Paint on PolyCotton
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Stretched and ready to hang
This artwork is currently stretched and ready to hang.