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Christopher Vidal

Artwork Description

Title: An afternoon at Pierces Pass, Blue Mountains
Medium: Oil on linen
Size: 18 X 24 inches

This painting is on stretched linen and ready to hang.

Please contact before buying if you want the painting loose or framed.

Pierces pass lookout oversees the Grose Valley on the opposite side of Blackheath. Its on the left hand side on the way to Mt Wilson. With this painting I wanted to communicate with the viewer my experience of the beautiful afternoon light.

The painting was painted using brush and palette knife for detail and more structured paint.

Christopher Vidal is a realist artist inspired by the style and techniques of the classical realist painters such as Caravaggio and Dutch painters as Rembrandt. He is also inspired by the American painters of the Hudson River School and the Australian impressionists of the Heidelberg Art Movement.
His works of art brings together classical realism from Europe and US as well as Australian impressionism.
With his work Chris finds a connection between his love for science, environment and arts. With his work he wants to show the beauty of nature and to re-establish the connection of humanity with nature.
This painting is Varnished for protection

PRODUCT GUARANTEE
These paintings are handcrafted and individually made and so are not mass produced.

All materials used are of a professional grade.

Paintings are varnished for protection. To clean it just use a damp cloth and DO NOT use any cleaning agents.
Paintings are photographed in a professional studio setup to retain fidelity of colour to the original painting. However slight variations might occur due to lighting, digital photography and monitor settings.

Copyright Christopher Vidal (2018)

I have a copyright on this original painting so it may not be copied in any way, however original artwork can be resold.

Medium

Artist quality oils on stretched linen

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Free shipping Australia wide. Leaves artist's studio in 1-3 working days

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Ready to hang

This artwork is ready to hang.

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