Inspired by Modernists

Thursday 31 August 2017

By Ashley Lumb

About this Curation

The underlying principle behind Modernism is a deliberate rejection of the styles of the past, placing an emphasis on experimentation with the expressive use of form, colour, materials, and lines, with a tendency towards abstraction. It was a rejection of conservative values and challenged the notion that art must realistically depict the world. Modernism started in the 1850s and by the 1960s it had become the dominant idea in art.

In this selection, we look at the work of contemporary counterparts to the Modernist masters. Through varied interpretation this curation presents work that – either consciously or not – is informed by European masters such as Matisse, Lichtenstein, Rothko, Picasso, Munch, Pollock, and Basquiat. Common themes are abstraction, colour, and Modernist techniques.

Other artists in this mix look towards Australian modernist painters, specifically a literary and artistic group known as the Angry Penguin Painters, who included Arthur Boyd, Sidney Nolan, Albert Tucker and Joy Hester, to name a few. The movement, which gathered pace in the 1940s, was started by the magazine of the same name and published by surrealist poet Max Harris.

Presented here is just a small group of works that reflect the Modernist aesthetic. Have a look around the site at the other incredible artists and engage your inner art historian.

About the Curator

Ashley is an American curator and art historian and has an M.Litt in the History of Photography from the University of St. Andrews. She has worked as a Curatorial Assistant for the British Museum and as a Research Affiliate at the Bodleian Library at Oxford University. Since 2012 she has been independently curating photography exhibitions in the US, UK, Europe, and Australia with her curatorial collective Hemera. She is also the founder of the London and New York Photography Diaries.

100cm (W) x 100cm (H)
Acrylic on canvas
60cm (W) x 80cm (H)
acrylic paint and screen mediums on art quality canvas
102cm (W) x 152.4cm (H)
Acrylics and mixed media on canvas
100cm (W) x 100cm (H)
Mixed media on stretched canvas
70cm (W) x 50cm (H)
Acrylic paint on paper
82cm (W) x 41cm (H)
Windsor & Dewter Acrylic on studio canvas with high quality pine wood frame
95cm (W) x 95cm (H)
acryclic paint, charcoal on canvas coated with a satin varnish.
57cm (W) x 39cm (H)
Acrylic in paper
75cm (W) x 60cm (H)
Acrylics on canvas
91cm (W) x 76cm (H)
oil on canvas affixed to wooden stretcher
151cm (W) x 121cm (H)
Mixed media on canvas
60cm (W) x 84cm (H)
charcoal on fine art 200gsm paper
76cm (W) x 120cm (H)
Acrylic on paper.
50cm (W) x 100cm (H)
55cm (W) x 66cm (H)
Limited Edition Giclee Print (1 of 25) on cotton rag paper. Print size includes a white border around the image which includes the artist's emboss stamped centrally underneath the image (positioned at least 1cm below the edge of the image so it can be excluded when framing if desired). Print is signed, numbered and titled directly underneath the image. Prints are carefully packaged and delivered in a cardboard tube.
40cm (W) x 40cm (H)
Acrylic on Canvas
90cm (W) x 95cm (H)
Signed and numbered limited edition print on watercolour paper. Edition of 499
120cm (W) x 100cm (H)
High Quality Acrylic with Gloss Varnish on Cotton Canvas. Stretched, signed, and ready to hang with painted sides
40cm (W) x 50cm (H)
Oil Paint On Professional Stretched Canvas by exhibiting artist John Graham
45cm (W) x 60cm (H)
Acrylic on board