Artwork Description

Oil on wood, ready to hang.

Signed certificate of authenticity.

This artwork comes with an external frame

Hunting for a good antique was not only hard but very time consuming and expensive. One day a
French friend of ours offered to sell me a decanter. I immediately fell in love with it, and even
though it cost me the proverbial arm and a leg, I used this piece within different compositions and
incorporated it into several paintings. I might as well say that it was one of my favourite props. During an exhibition, a Chinese businessman from Taiwan offered to buy one of these particular paintings if he could also buy the decanter. I felt that this would be both a blessing and a curse, but eventually parted with it. I have never found another piece quite like it and there is always that sense of regret. The positive side is that it is no longer included in any more of my works so that people cannot say: “Oh look, there’s that decanter again.”

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Medium

Oil - on wood panel #2036

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Framed and ready to hang

This artwork is currently framed and ready to hang.

It comes with an external frame.

Framed dimensions - 91.0(W) x 106.0(H).

Artwork dimensions - 61.0(W) x 76.0(H).

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All art by Jos Kivits

The feeling of holding something in your hands that is hundred of years old, like the pewter and the ceramic Japanese vase, gives me a feeling of agelessness. It vibrates through my entire body and to spend weeks painting something like this climaxes to an explosion in my imagination. A painting of this calibre is and always will be an eye catcher when people realise it has not been created with shortcuts and tricks, but genuinely by discipline and artistry without smoke and mirrors. It is a work I cannot get away from as it is in my soul to paint what every eye can see without the help of any kind of trickery or Painted in 2005 and several times perfected and varnished over the years. This very work has never been exhibited, although one similar depicting different objects was revealed in Jos’ 2018 exhibition.

The style and technique is considered ‘Classical European’ and first exposed to Australia by some well-known earlier artists like Hans Heysen, Arthur Streeton, & Besie Davidson.
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