Artwork Description

Oil on wood, ready to hang.

Signed on the front.

This artwork comes with an external frame

This original painting is one from my Australian rural history series. Inspired by some of the historic Australian black and white photos, and Paintings done by Mc Cubben and others from around 1880, and the few TV movies depicting that period, I decided to paint what I imaged was going on around and before that period around Brisbane and the hinterland. On the left are two men sawing a recently felled tree, another is surveying which one would come next, and on the left we see a boat arriving with the boss and the boats-man inspecting the progress. Wood was needed for building, fencing and firewood. land also needed to be cleared for life-stock and growing staple food. This painting is not done from an existing photo or drawing, but purely my imagination.

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Medium

Original oil painting on marine-ply panel, withthe finest pigments and ancient recipe of medium.

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Framed and ready to hang

This artwork is currently framed and ready to hang.

It comes with an external frame.

Framed dimensions - 84.0(W) x 68.0(H).

Artwork dimensions - 60.0(W) x 45.0(H).

#Australia in 19th century, #Life on the land, #Clearing the woods, #Selecting timber, #origenal oil painting, #australian recent history, #impressionism of time gone by, #river scene, #Lumberjacks in Australia, #Tree felling painting, #blush, #light green

All art by Jos Kivits

The feeling of holding something in your hands that is hundred of years old, like the pewter and the ceramic Japanese vase, gives me a feeling of agelessness. It vibrates through my entire body and to spend weeks painting something like this climaxes to an explosion in my imagination. A painting of this calibre is and always will be an eye catcher when people realise it has not been created with shortcuts and tricks, but genuinely by discipline and artistry without smoke and mirrors. It is a work I cannot get away from as it is in my soul to paint what every eye can see without the help of any kind of trickery or Painted in 2005 and several times perfected and varnished over the years. This very work has never been exhibited, although one similar depicting different objects was revealed in Jos’ 2018 exhibition.

The style and technique is considered ‘Classical European’ and first exposed to Australia by some well-known earlier artists like Hans Heysen, Arthur Streeton, & Besie Davidson.
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