INTERPRETATION AND VARIATIONS
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My intention with this series of paintings is to invite the viewer to concentrate on The Sea much more than they might usually. Observing the movement, shapes and colours of the seascape, influenced by the natural elements of sun, wind and rain.
These pictures came about because I would fish at Frazer Reef just north of Iluka, New South Wales Australia, often losing my bait (mostly to seagulls) in a short space of time. Then I would sit on the same rock each day and draw the sea, always facing towards north-east.
It was easy to make variations of this scene as the sea was never the same from one day to another.
Although the smaller pastel drawings were done in sequence over many enjoyable weeks, the larger pictures were painted afterwards at random over the following year.
To quote Matisse: “To render beauty accessible to all”
It was a rainy day and the sea was rough.
Looking at the ocean there is nothing rectangular about it, but the format of these paintings are rectangular. Therefore, when thinking about the drawing, why have I converted all the images I am seeing into rectangular colours? ie. yellow, black, blue, brown, purple, and so on? Is it because paper is rectangular?