Artwork Description

Giclée on canvas, stretched and ready to hang.

Signed on the back.

Do you remember your childhood?
Do you remember the feeling? The wonder, the innocence?
For myself, it was a childhood full of daydreams and wonderment. The bush, calm and secluded. The night sky with its stars and vanilla milky-way, and the thousand colours in a single blade of grass.
Growing up on an idyllic farmlet, I spent my days wandering through the bush, giving my imagination free reign.
Now, as an adult, I manipulate and appropriate fragments of those times from my (embellished) memories, along with the books and ephemera of my childhood to capture those moments that we treasure and make us who we are.
My artworks have often been referred to as ‘bedtime story’ assemblages. Using themes from the 1950s, the ‘Age of Innocence', such as the utopian nuclear family or my own ‘Enid Blyton’-esque children I create screenprints of innocence, purity, kitsch, nostalgia… schmaltzy!
My artworks, however, leave out particular details. There are no facial features. Like our childhood memories, there is a void, an absence of detail that gets filled in by our adult self. We have to narrate the rest of the story. Viewer narration leads to coincidental, accidental, and unexpected connections occur, leading to surprising analogies.

Edition of 5. Hand-signed and numbered by the artist.
The image that shows artwork in a frame is for scale purposes only. Print sold framed or not framed. The print, when posted, will be carefully wrapped (in protective paper and bubble wrap) before being posted.

Contact P. James

Medium

Digital Painting

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Stretched and ready to hang

This artwork is currently stretched and ready to hang.

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All art by P. James Bryans

P. James Bryans creates mixed media prints, digital paintings, and screenprinted artworks. By using popular ephemera and retrospective themes, Bryans manipulates and appropriates fragments of time from the ‘utopian nuclear family’ era, the days of wonderment and daydreams (with the innocence of Enid Blyton). 
In creating these images Bryans touches on various overlapping themes, creating a narrative that can be easily recognized (and remembered) by the viewer.
His works feature coincidental, accidental, and unexpected connections, which make it possible to relive and complement history. Bryans uses a visual vocabulary that addresses many different social issues that have long been forgotten. The work incorporates time as well as space; a fictional and experiential universe that only emerges through the viewer’s own eyes.P. James Bryans creates mixed media prints, digital paintings, and screenprinted artworks. By using popular ephemera and retrospective themes, Bryans manipulates and appropriates fragments of time from the ‘utopian nuclear family’ era, the days of wonderment and daydreams (with the innocence of Enid Blyton). 
In creating these images Bryans touches on various overlapping themes, creating a narrative that can be easily recognized (and remembered) by the viewer.
His works feature coincidental, accidental, and unexpected connections, which make it possible to relive and complement history. Bryans uses a visual vocabulary that addresses many different social issues that have long been forgotten. The work incorporates time as well as space; a fictional and experiential universe that only emerges through the viewer’s own eyes.P. James Bryans creates mixed media prints, digital paintings, and screenprinted artworks. By using popular ephemera and retrospective themes, Bryans manipulates and appropriates fragments of time from the ‘utopian nuclear family’ era, the days of wonderment and daydreams (with the innocence of Enid Blyton). 
In creating these images Bryans touches on various overlapping themes, creating a narrative that can be easily recognized (and remembered) by the viewer.
His works feature coincidental, accidental, and unexpected connections, which make it possible to relive and complement history. Bryans uses a visual vocabulary that addresses many different social issues that have long been forgotten. The work incorporates time as well as space; a fictional and experiential universe that only emerges through the viewer’s own eyes.P. James Bryans creates mixed media prints, digital paintings, and screenprinted artworks. By using popular ephemera and retrospective themes, Bryans manipulates and appropriates fragments of time from the ‘utopian nuclear family’ era, the days of wonderment and daydreams (with the innocence of Enid Blyton). 
In creating these images Bryans touches on various overlapping themes, creating a narrative that can be easily recognized (and remembered) by the viewer.
His works feature coincidental, accidental, and unexpected connections, which make it possible to relive and complement history. Bryans uses a visual vocabulary that addresses many different social issues that have long been forgotten. The work incorporates time as well as space; a fictional and experiential universe that only emerges through the viewer’s own eyes.
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