Ensuring he has all mediums to hand prior to painting begins, Green grabs whichever tool (and colour) feels right at that specific moment – purposely blocking out methodic thought, personal conversation and personal debate so that the resulting interpretation is personal to that moment alone and entirely a one-off – only satisfied when the outcome could never be replicated by himself, or anyone else.
Oils, acrylics, charcoal, chalk, pastels, and spray on canvas
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