Featured Artists

Discover outstanding artworks or a new favourite artist.

Collectable | Established Artists | Rising Stars | Featured | Popular | Archibald Finalists

Theo Papathomas

Melbourne

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Landscape ,flowers

Blossoms

Theo Papathomas

Acrylic, 152cm (W) x 91cm (H)

A$2,340

Falcon Eyes View

Theo Papathomas

Acrylic, 198cm (W) x 167cm (H)

A$5,080

Tranquil Outback

Theo Papathomas

Acrylic, 61cm (W) x 152cm (H)

A$1,700

Landscape , outback

Mystical Vibes

Theo Papathomas

Acrylic, 152cm (W) x 121cm (H)

A$2,940

Caitlin Jeffs

Sunshine Coast, Queensland

See Portfolio (11)

Peaches Green

Oil, 20cm (W) x 20cm (H)

A$390

Moab

Oil, 31.7cm (W) x 23cm (H)

A$120

oil painting of a man with long hair looking at the ground.

mon mari

Oil, 27cm (W) x 38.5cm (H)

A$550

Opposing Orange

Oil, 46cm (W) x 35cm (H)

A$290

Cornélia Selover

Alexandra, Victoria

See Portfolio (25)

When you leave a beloved home there is a feeling of sadness and of excitement to be going to new places. Living somewhere leaves part of you in it, and yet when you walk through the door, you are gone, and the house does not remember. My artwork is all over this house – on the walls, the doors, in the mosaic kitchen. I wanted to share the feeling of having had a wonderful time at Neon Hill – through covid when I had six stranded backpackers living with me for six months, when my friends lost their house in Sydney and they moved into the big house while I moved into a room I built outside on an old concrete water tank stand, when Bec decided she wanted to live in a caravan on the land, didn’t like it and we moved inside. A time which is now over. Bec is the toilet roll, I am the painted doors.

Leaving Neon Hill 1a

Cornélia Selover

Ink, 62cm (W) x 79.4cm (H)

A$1,610

I am driving grain trucks in the mallee, Victoria. The roads are long, flat and straight. The light is harsh, the ground dry.
A long straight road draws you into the distance, where my bedroom door is suspended in a painstaking re-drawing of a detail from one of my large scale paintings. A surreal image in which the horizon intersects a closed door. The door has a painting on it too – which i have re-drawn – and floated over the liquid sky. In the foreground human detritus: a tipped over rubbish bin, Brett Whitely's mirror and the cardboard from a toilet roll in the foreground. Each of the objects is symbolic.
The rubbish bin of the family with whom I am staying, waiting for the rain to come. Brett Whitely's mirror has my torso and naked breasts reflected in it in reference to my 'The artist before the work' series, and to Brett's 1978 Archibald winning 'Self portrait in the studio".

Birchip to Wycheproof Road Liquid Sky 1a

Cornélia Selover

Ink, 110cm (W) x 120cm (H)

A$1,060

In the background is a highly detailed, hand drawn re-interpreation of a large oil painting, in front of which I float. I am nude, and the water disguises the clear outline of my body, just as the artwork disguises me. I hide in the water, and behind my work. I feel as though I float in my work and that feeling is visualised in this work.

The Artist before the work – while my body floats down the river a fire burns

Cornélia Selover

Ink, 79.4cm (W) x 59.5cm (H)

A$990

Wycheproof Birchip Road with liquid sky

Cornélia Selover

Ink, 80cm (W) x 80cm (H)

A$600

Amanda Pullan

South Coast, NSW

See Portfolio (102)

A detailed garden of pansies on a dark background

Can You Remember When

Acrylic, 54cm (W) x 54cm (H)

A$800

A bunch of peaches on a black background

Bitter Sweet Love

Acrylic, 32.5cm (W) x 32.5cm (H)

A$320

A bunch of blueberries on a black background

Give Me Something

Acrylic, 32.5cm (W) x 32.5cm (H)

A$320

A bunch of lemons on a black background

Ray of Sunlight

Acrylic, 32.5cm (W) x 32.5cm (H)

A$320

Angie Summa

Gold Coast

See Portfolio (8)

Two pink peonies with pink nd blush striped background with yellow lower thrird background.

Pink Stripes

Oil, 43cm (W) x 43cm (H)

A$700

Earthy toned poppy flowers in a glass vase sitting on a yellow fabric on a timber table. Still Life.

Here It Goes

Oil, 63cm (W) x 83cm (H)

A$1,930

Still life painting of a vase of poppies on the left, a ceramic bowl of lemons and mandarins on the right, both sitting on a round timber chopping board. Purple background.

Poppies v Lemons

Oil, 53cm (W) x 53cm (H)

A$760

White cosmos flower on pale blue background with a slight drop shadow

In The Breeze

Oil, 43cm (W) x 43cm (H)

A$770

Gordon Simmonds

Brisbane

See Portfolio (23)

Beneath a searing Middle Eastern sky, where the earth bakes in deep ochres and the horizon glows in burnt orange, a Light Horse soldier kneels beside his Waler horse. Dust clings to their sun-beaten forms, This powerful moment, frozen in oil and pigment, captures not action, but sacrifice—of the quiet kind that defines true mateship.

Titled “The Last Drop”, this original oil painting tells the story of one man’s final act of devotion. The soldier, parched and worn from days without reprieve. Instead of quenching his own thirst, he pours his last drink into his Slouch Hat and offers it to his Waler. The horse, eyes heavy but trusting, leans forward—not just for water, but for reassurance from the only constant in this chaotic war.

Rendered in rich, earthy tones, the painting evokes the raw beauty and brutality of the Middle east campaign. The dusty reds and orange-tinged browns tell of heat, hardship, and endurance. There are no medals here, no glory—only a quiet act of love between soldier and steed.

The Waler was more than transport; he was a companion , a bearer of burdens, and a lifeline. In this scene, the lines between man and animal blur, revealing a bond stronger than fear or exhaustion.

“The Last Drop” is not just a painting—it is a tribute to the unsung heroes of war, both two-legged and four. For lovers of military history, equine beauty, or the poignant moments often lost in battle, this artwork offers a stirring, unforgettable glimpse into courage, sacrifice, and love under fire.

Anzac day - The Last Drop - Original Oil painting

Gordon Simmonds

Oil, 80cm (W) x 60cm (H)

A$1,230

The Last Charge

This powerful original oil painting print captures one of the most iconic moments in Australian military history—the legendary charge of the Australian Light Horse at Beersheba on 31 October 1917. Set against a dramatic red sky and sweeping ochre desert landscape, this artwork brings to life the raw energy, determination, and courage of the mounted troops who defied the odds and carved their place in history.

With rich, textured brushwork and a warm, earthy palette, the painting vividly portrays the thunder of hooves, the dust of the desert, and the fearless forward momentum of riders and their Waler horses charging across the open plain. The scene is both cinematic and deeply human, capturing the chaos and bravery of the moment while paying tribute to the men who risked everything—and the loyal animals who carried them into the fray.

The Charge at Beersheba was more than a military victory; it was a defining moment of national character—bold, resilient, and unrelenting. This painting honours that spirit. Every detail, from the tension in the riders’ stances to the glint of light on steel and leather, speaks of a desperate gamble that became a legendary triumph.

Whether you're a collector of war history, Australian heritage, or simply a lover of bold, emotive art, this piece is a stirring centrepiece.

Own a timeless tribute to courage, honour, and sacrifice.

Anzac Day The Last Charge Ed. 2 of 30

Gordon Simmonds

Giclée, 60cm (W) x 20cm (H)

A$220

“Brothers in Arms” – Original Oil Painting

This evocative oil painting captures a poignant moment between a World War I Australian Light Horse soldier and his loyal Waler mount. The scene reflects not just history, but an enduring bond—one forged in fire, fear, and unwavering trust.

The Waler horse was more than transport; it was a partner in survival. These sturdy, intelligent animals carried their riders across treacherous terrain, into battle and beyond, often without water for days. In return, their riders gave them fierce loyalty, speaking softly in the quiet moments, brushing the sweat from their coats, and resting a steady hand on a faithful flank.

This artwork pays tribute to that unbreakable connection—a moment of stillness between battles where man and beast are equals in their endurance.

A powerful piece for collectors of military history, Australian heritage, or equine art, this painting is not only visually compelling but emotionally resonant—a timeless homage to loyalty and courage shared between warrior and warhorse.

Anzac Day - Brothers in Arms - Original oil

Gordon Simmonds

Oil, 42cm (W) x 30cm (H)

A$840

“Brothers in Arms” – Reproduction Print

This reproduction print ( Original is Oil ) captures a poignant moment between a World War I Australian Light Horse soldier and his loyal Waler mount. The scene reflects not just history, but an enduring bond—one forged in fire, fear, and unwavering trust.

The Waler horse was more than transport; it was a partner in survival. These sturdy, intelligent animals carried their riders across treacherous terrain, into battle and beyond, often without water for days. In return, their riders gave them fierce loyalty, speaking softly in the quiet moments, brushing the sweat from their coats, and resting a steady hand on a faithful flank.

This artwork pays tribute to that unbreakable connection—a moment of stillness between battles where man and beast are equals in their endurance.

A powerful piece for collectors of military history, Australian heritage, or equine art, this print is not only visually compelling but emotionally resonant—a timeless homage to loyalty and courage shared between warrior and warhorse.

Anzac Day - Brothers in Arms Ed. 6 of 50

Gordon Simmonds

Reproduction Print, 59.4cm (W) x 42cm (H)

A$200

Alexandria Shaw

Queensland

See Portfolio (32)

Acrylic painting of white orchids with soft pink highlights, set against deep blue and green shadows. Loose, expressive brushstrokes create a vibrant, contemporary floral composition.

Flowering White Orchids

Alexandria Shaw

Acrylic, 14.8cm (W) x 21cm (H)

A$120

Vibrant expressive painting of calathea and fern in colourful interior setting.

Calathea and Fern

Alexandria Shaw

Acrylic, 25.5cm (W) x 20.5cm (H)

A$290

Acrylic painting of a flowers in a Glass vase with contrasting magenta highlights, set against inky blues and vibrant yellows .

Paper Daisies in Glass Vase

Alexandria Shaw

Acrylic, 14.8cm (W) x 21cm (H)

A$100

Geranium cuttings in glass bottles against rich crimson background

Geraniums in Glass Bottles

Alexandria Shaw

Acrylic, 20.5cm (W) x 25.5cm (H)

A$270

Fangmin Wu

Sydney, NSW

See Portfolio (757)

Morning in Santorini

Oil, 53cm (W) x 43cm (H)

A$850

Red land No21 - framed

Oil, 32.5cm (W) x 32.5cm (H)

A$480

Autumn afternoon in the sunlight (Framed)

Acrylic, 48cm (W) x 38cm (H)

A$550

Spring Awakening (framed)

Oil, 80cm (W) x 80cm (H)

A$4,100

Elizabeth Fields

Coffs Harbour

See Portfolio (207)

Booton (nets). In memory of Oscar.

Elizabeth Fields

Acrylic, 76cm (W) x 76cm (H)

A$1,090

Shelter

Elizabeth Fields

Acrylic, 51cm (W) x 51cm (H)

A$410

Desert and sky

Elizabeth Fields

Oil, 61cm (W) x 46cm (H)

A$740

Bunggul

Elizabeth Fields

Acrylic, 76cm (W) x 102cm (H)

A$2,140

Natasha Ruschka

Canberra, ACT

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dahlia's in a white milk jug on a floral table cloth

Dahlia's on Poppies

Natasha Ruschka

Oil, 30cm (W) x 40cm (H)

A$450

Trees with yellow leaves with a path winding through

Autumn Series - Yellow

Natasha Ruschka

Gouache, 20cm (W) x 25cm (H)

A$230

White jug with yellow dahlias

Sunshine Dahlias

Natasha Ruschka

Oil, 30cm (W) x 23cm (H)

A$330

Garden Sunshine

Natasha Ruschka

Oil, 61cm (W) x 76cm (H)

A$1,700