Discover artists from Victoria

Peter Hammer

Melbourne, Australia

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Peace and quiet are symbolised by the three heads.

Serenity

By Peter Hammer

100cm (W) x 100cm (H)

Photograph

A$1,530

A fantasy of what can happen if you gtet too close to lions. Other sizes are avalable and I can also supply it as a print. Please ask.

Don't play with lions

By Peter Hammer

75cm (W) x 75cm (H)

Photograph

A$540

Hands. They hold, they caress, they grasp, they get adorned with jewellery

Hands do more than hold

By Peter Hammer

75cm (W) x 75cm (H)

Photograph

A$540

A woman stands at the top of a grand staircase with trees and mountains in the background.

Grand opera

By Peter Hammer

75cm (W) x 50cm (H)

Photograph

A$540

Crakked Life

Australia

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simon Armstrong

Melbourne

See Portfolio (10)

"Dog Beach at Sorrento" by the artist Simon is a captivating artwork that serves as both a tribute and a vivid recollection of the joyous moments spent at Sorrento dog beach. This piece is more than just a painting; it's an immersive experience that encapsulates the essence of freedom, companionship, and the simple pleasures of life shared with our canine friends and fellow beachgoers. Simon masterfully brings to life the picturesque scene of Sorrento's dog beach, viewed from an elevated perspective atop the cliffs. The painting overlooks the charming dog boathouse and the extending piers, inviting viewers into a serene yet lively atmosphere.

The use of metallic paints is a stroke of genius, as it transforms the painting with the changing light, mirroring the dynamic nature of a day from dawn till dusk at the beach. This effect not only enhances the visual appeal but also deepens the connection between the observer and the artwork, embodying the ever-changing yet timeless moments spent by the sea.

Simon's attention to detail extends to the texture incorporated into the sand depicted in the painting. This element not only adds a tactile dimension but also evokes a sense of nostalgia and appreciation for the pristine, soft sand of Sorrento beach. Embedded within this sandy hillside, a dog figure is subtly painted, serving as a heartfelt homage to the beloved canines of the past and present who have left their paw prints in the sand and in the hearts of their owners.

In the background, the silhouette of a person sailing on a yacht, with the wind in their hair, symbolizes the ultimate freedom and the spirit of adventure that the Sorrento front beach embodies. The tranquil waves and the expansive sky invite viewers to immerse themselves in the scene, offering a momentary escape and the sensation of being transported to the beach itself.

"Dog Beach at Sorrento" is not just an artwork; it's a celebration of life's simple joys, a remembrance of cherished moments, and a tribute to the unbreakable bond between humans and their four-legged companions. Simon's painting invites us to pause, reflect, and appreciate the beauty and freedom that surrounds us, capturing the essence of Sorrento's dog beach in a way that resonates deeply with all who experience it

‘Dog Beach Sorrento.’

By simon Armstrong

1000cm (W) x 665cm (H)

Acrylic

A$17,220

A vivid and complex artwork by the artist Simon, titled "Back to Reality." This piece appears to be a rich tapestry of thematic elements, ranging from idyllic beach scenes to symbolic representations of good and evil, intertwined with mystical elements. The artwork unfolds as a journey from the serenity and joy of a beach setting into deeper, more introspective themes that evoke a contemplation on reality, emotions, and existential contrasts.

The initial focus on Sorrento front beach, with its inviting sands, tea trees and iconic beach boxes, sets a tranquil scene that is both engaging and comforting.
As the viewer's eye moves through the painting, they encounter a progression from this lightness into more complex imagery involving devils, clowns, and sea creatures. These elements may symbolize the undercurrents of life's darker or more challenging aspects, contrasting sharply with the initial serenity. In the details of the trees on the right, the artist intricately paints face within the shadows and branches, creating a sense of guardianship and protection through the symbolic tree friends. These characters provide a comforting presence, symbolizing security amidst life's challenges. Contrastingly, the left side of the painting reveals more sinister elements with evil faces and demonic figures looming over the scene. This dichotomy between the protective spirits on the right and the malevolent force on the left reflects the eternal struggle between good and evil, both externally in the world and internally within us. It speaks to the dualities of life and the presence of both protective forces and threats in our environment. This dichotomy is further explored through the imagery of the bulldog and Phoenix, suggesting a narrative of overcoming or dispelling negativity. The magical, floating tree and the relaxed figure in the boat add an element of surrealism and calm amidst the surrounding complexity, offering a moment of reflection or escape. The final mention of a car and the return to reality anchors the piece in a relatable conclusion, reminding the viewer of the inevitable return to the everyday after moments of escapism or contemplation. Through "Back to Reality," Simon masterfully encapsulates the ebb and flow of human experience, inviting viewers to reflect on their own journeys between blissful escapism and the acceptance of life's inherent complexities. A captivating and intricate portrayal of the transition from idyllic leisure back to the mundane realities of life, set against the picturesque backdrop of Sorrento front beach. This artwork not only celebrates the beauty of Sorrento front beach but also delves deep into the emotional landscape, offering a rich tapestry of symbolism for contemplation.
The timber retaining wall serves as a profound canvas, depicting a rich tapestry of human emotions and life's dichotomies, an intriguing ensemble of characters surrounds a human figure, each symbolizing a profound aspect of life and human emotions. At the focal point, we see a person's head, symbolizing humanity, and individuality. To the right, a dog represents a beacon freedom, joy, companionship, and protection, embodying the positive aspects of life and the pure, untainted joy found in moments of companionship and the simplicity of nature. This embodies the positive forces that guide and guard us through our journey. On the left, the presence of the devil and a clown introduces a darker, more complex narrative. The devil and clown figures stand side by side encapsulate the hardships of emotion and the intricate dance with freedom of choice, illustrating the inner turmoil and challenges that individuals face. This pairing suggests the struggles and temptations individuals face, highlighting the duality of life's journey and the constant battle of free choice between good and bad decisions, as well as the emotional turmoil that accompanies such choices. Farther to the left, a sea creature from the deep emerges as a powerful symbol of the dark, lurking dangers of malevolence in the world. This creature represents the capacity of evil to infiltrate and compromise goodness, reminding us of the ever-present threat to joy and freedom posed by malevolent forces or individuals. Together, these elements craft a compelling narrative about life’s journey the perpetual battle between good and evil, encompassing its joys, protections, struggles, and the ever-present danger of corruption to the complexity of human choices, and the ever-present possibility of redemption or downfall.

This treescape is a microcosm of life itself, capturing the complexity of emotions and relationships that define the human condition. Through the interplay of light and shadow, nature becomes a mirror reflecting our innermost struggles, joys, and the eternal cycle of renewal that marks our existence. A rich tapestry of emotions and narratives, beautifully intertwining nature with the essence of human and animal emotions. In this treescape, the trees are not merely plants; they become a canvas where shadows and light play to reveal human faces, each one a silent storyteller of a different emotion. These expressions, ranging across the spectrum of human feelings, from joy to sorrow, mirroring the diverse experiences of life itself set a backdrop for a deeper story woven into the branches and leaves. In the midst of this emotional landscape, a parental figure, depicted as a branch, chases after a child, symbolizing the timeless dance of generations and the nurturing bond that connects them. This pursuit captures a snapshot of life's fleeting moments, emphasizing the themes of growth, guidance, and happiness. The fundamental bond and continuity of generations. Amidst this, companionship and loyalty are personified by a friendly tree friend, tree bird, and a dog, illustrating the innate connection between humans and nature, as well as the values of friendship, loyalty, and freedom. Their presence in the treescape adds a layer of warmth and fidelity, illustrating the deep bonds that exist not only among humans but between humans and animals. This tableau speaks to the heart of companionship, highlighting the comfort and liberation found in these relationships. However, not all is serene in this arboreal world. This harmony is contrasted by the presence of a weasel, painted as leaves in the middle turned away by the in the branch on the right a dog, introduces a note of discord, introducing themes of conflict and the darker aspects of interaction, such as mistrust and aggression. Representing the inevitable presence of conflict and the boundaries we draw in our relationships. Above the beach boxes on the left, the shadows hide figures of malevolence. The presence of the devil and his accomplices casting an ominous presence in the shadows introducing a stark contrast to the natural and positive emotions depicted elsewhere, hinting at the ever-present nature of evil and temptation in the world. This contrast serves as a reminder of the dual nature of existence, where light and dark, good, and evil, constantly vie for dominance. The inclusion of mythical elements to the far-left tree, a bulldog and a phoenix stand as guardians against this darkness, symbolizing resilience, and rebirth. Like the phoenix, alongside more traditional symbols of fear and aggression in the left tree branches, this adds a layer of complexity, suggesting a cycle of destruction and rebirth, of overcoming adversity through resilience and renewal. Their inclusion not only counters the negative forces but also imbues the scene with hope, suggesting that renewal follows even the darkest times. This treescape becomes more than just a depiction of nature; it's a reflection on human life, emotions, and the eternal struggle between good and evil, intertwined with the natural world's beauty and brutality. The detailed imagery serves not only as a representation of the physical world but also as a metaphor for the psychological and philosophical aspects of human existence.

Beach box on the right side is a deeply evocative and symbolic piece of art, where elements such as a sun, beach box, a boat, calm water and using variations in lighting play significant roles in conveying contrasting themes of reality, escapism, solitude, and the impact of urbanization on nature. Simon paints a vivid and evocative picture, blending elements of reality with reflections of desires and deeper emotional states. It is describing a complex scene that juxtaposes the hustle of city life against the serene escape of nature, represented by a painted beach box. The "bench box" might symbolize a window or a viewfinder into another world or state of being, where the presence of a person in a boat reflects a longing or a memory of a simpler, more peaceful existence away from the realities of urban living.
The person in the boat, painted on the beach box reflected as the person returning to reality views as if they are longing for an escape to a serene, possibly idyllic setting, contrasts with the reality they face when returning from this reflection. This duality could symbolize the internal conflict many experiences between their current realities and where they wish they could be, possibly highlighting a yearning for peace and simplicity amidst life's complexities. The detailed observation of the person's reflection in the boat, visible only upon closer inspection, the arms, and legs in the "transparent shadow boat" conveys a ghostly presence, hinting at the thin veil between desire and reality, and how closely our dreams and aspirations are tied to our tangible existence. This suggests a deeper layer of meaning, hinting at the true desires and hidden parts of oneself that only become apparent when one looks beyond the surface. It's a powerful visual metaphor for the often invisible, yet profoundly felt, desires that guide our actions and perceptions. The transition in the scene's ambiance, with dull to bright lighting gives the viewer a sense from cold and solitary to warmth and content. The dull light reveals the tainted skyline by "the pollution of the city," suggesting a commentary on how external environments and societal progress impact personal and natural spaces. The bright light glows gold a feeling of warmth and comfort. The light, acting as a transformative agent, not only changes the physical appearance of the scene but also imbues it with different emotional and psychological connotations—ranging from isolation and coldness that is nonetheless compromised by external contamination to warmth and self-love and respect. The changing light, from cold to warm, further accentuates the dual nature of the scene, indicating how perceptions can shift based on circumstances or mood, transforming a single scene from one of isolation to contentment. The mention of pollution invading the tranquil environment of the beach with dull light could symbolize the pervasive reach of urbanization and modern life's problems into even our places of escape and reflection. The beach box painted with a sun and boat description is rich with symbolism and offers multiple layers of interpretation, inviting the viewer to reflect on their own places of escape, how they perceive their reality, and what lies beneath the surface of their desires and fears.
Through "Back to Reality," Simon masterfully encapsulates the ebb and flow of human experience, inviting viewers to reflect on their own journeys between blissful escapism and the acceptance of life's inherent complexities. This artwork not only celebrates the beauty of Sorrento front beach but also delves deep into the emotional landscape, offering a rich tapestry of symbolism for contemplation

‘Back to reality’

By simon Armstrong

66.5cm (W) x 1000cm (H)

Acrylic

A$17,140

"Be the Best You Can Be," a piece by the artist Simon, encapsulates an exquisite celebration of life's most cherished virtues through the metaphor of a singular, resplendent flower. This artwork diverges remarkably from Simon’s typical thematic explorations, which often delve into the interplay of light and shadow, capturing both the beauty and the bleakness of existence. Here, however, the canvas is devoid of any hint of darkness or malevolence, presenting a message that is uncharacteristically uplifting yet profoundly impactful.

The flower in question, distinguished by its vibrant red petals and stark white stems, stands majestically against a subdued backdrop of a white pond, which seems to vanish, emphasizing the flower’s pre-eminence. This botanical marvel does not merely exist; it soars above its surroundings, embodying the pinnacle of genetic perfection and resilience. It is a visual metaphor for the best that one can achieve, representing not just the pinnacle of beauty, but also the zenith of moral and emotional virtues such as happiness, joy, contentment, free speech, strength, empathy, and compassion.

Simon’s choice to focus on the positive spectrum of human emotions and virtues marks a departure from their usual narrative, inviting the viewer to reflect on the power of positivity and the potential for personal growth and improvement. The absence of negativity in this piece is a deliberate choice, suggesting that just as the flower thrives by reaching towards the light, humans too can flourish by embracing positive emotions and values.

This artwork also delves into the concept of epigenetics, subtly hinting at how stress, hate, and fear can alter our biological makeup, leading to disease. Conversely, it suggests that forgiveness, love, and happiness can have a healing, transformative effect. The flower stands as a symbol of this belief, thriving amidst adversity, embodying strength, and resilience, and showing that it is possible to overcome negative influences and grow towards the light.

"Be the Best You Can Be" is not just a visual feast; it is a philosophical treatise on life, encouraging viewers to reflect on their choices, attitudes, and the emotional baggage they carry. It advocates for a life lived with intention, urging individuals to forgive, to love, and to find strength in positivity. In this way, the artwork serves as a reminder that while we may not have control over every aspect of our lives, we have the power to choose how we respond to our circumstances. Like the flower that stands tall and proud, we too can strive to be the best versions of ourselves, cultivating a life filled with happiness, strength, and compassion. Remember you can only let yourself feel the way you let yourself feel.

"Be the best you can be."

By simon Armstrong

76.5cm (W) x 51cm (H)

Acrylic

A$6,030

"Four Seasons in One Day at the Sorrento Boathouse" is a captivating art installation by Simon, ingeniously placed at a serene private residence at Sorrento front beach. This artwork embodies the essence of Melbourne's famously unpredictable and dynamic weather, famously described as 'four seasons in one day.' Through the strategic use of different lighting conditions, Simo crafts an immersive experience that transports viewers from the cheerful brightness of a sunny day to the biting chill reminiscent of an Arctic wind. Simon's creation uniquely captures the essence of this phenomenon through an innovative interplay of light and perspective.

The artwork's brilliance lies in its 3-dimensional structure and the clever manipulation of light and perspective. Depending on where one stands and the lighting at that moment, the installation reveals different facets of Melbourne's weather. This dynamic interaction between the viewer, the artwork, and the changing light conditions ensures that no two experiences of the artwork are exactly alike, echoing the city's ever-changing atmosphere.
As one circumnavigates the piece, the changing perspectives coupled with the shifting lights simulate the transition through spring's bloom, summer's radiance, autumn's melancholy, and winter's silence. This dynamic experience underscores the unpredictability and fleeting beauty of Melbourne’s nature's cycle.

Set against the enchanting backdrop of the Sorrento Boathouse, surrounded by water and accessible only by a jetty, the installation gains an additional layer of isolation and beauty. The boathouse and the adjacent sea pool serve not just as settings but as integral components of the artwork, enhancing its thematic depth. The reflection of light on sky and water adds to the illusion of experiencing all four seasons in a single day, from the glistening warmth of summer to the subdued gloom of winter.

Simon's work is a profound commentary on the transient nature of weather and its impact on human emotions and perceptions. Set against the backdrop of the Sorrento Boathouse, which is accessible only by a slender jetty, the artwork is enveloped by water, further enhancing its thematic resonance. The surrounding sea and exclusive sea pool add a tangible element of isolation and tranquillity, emphasizing the artwork's theme of nature's encompassing influence. By situating this evocative installation at a location as picturesque as the Sorrento Boathouse, the artist not only pays homage to Melbourne's unique climate but also invites viewers to reflect on the broader themes of change, adaptability, and the beauty of nature's unpredictability.

"Four Seasons in One Day at the Sorrento Boathouse" is not merely an artistic endeavour; it is a sensory voyage that encapsulates the volatile yet captivating nature of Melbourne's weather. Simon hopes, viewers are afforded a unique opportunity to witness and reflect upon the ever-changing tapestry of the natural world, all within the confines of a day at the Sorrento Boathouse.

Set against the backdrop of the Sorrento Boathouse, which is accessible only by a slender jetty, the artwork is enveloped by water, further enhancing its thematic resonance. The surrounding sea and exclusive sea pool add a tangible element of isolation and tranquillity, emphasizing the artwork's theme of nature's encompassing influence.

"Four Seasons in One Day at the Sorrento Boathouse" is not merely an artistic endeavour; it is a sensory voyage that encapsulates the volatile yet captivating nature of Melbourne's weather. Through Simon's visionary lens, viewers are afforded a unique opportunity to witness and reflect upon the ever-changing tapestry of the natural world, all within the confines of a day at the Sorrento Beach House.

Four seasons in one image at the Sorrento boat house

By simon Armstrong

1000cm (W) x 665cm (H)

Acrylic

A$15,740

Joo Ann Tay

Melbourne

See Portfolio (21)

Transition of seasons.

Transition (series 1)

120cm (W) x 150cm (H)

Acrylic

A$2,010

Winter is an etching, Spring a water colour. Summer an oil painting and Autumn a mosaic of them all.

Autumn (series 2).

122cm (W) x 183cm (H)

Acrylic

A$2,420

Horses, black, grey and white, textured painting, abstract.

Horse

150cm (W) x 120cm (H)

Acrylic

A$2,010

Landscape, nature, tree.

Wind within wild windswept wonderlands.

122cm (W) x 153cm (H)

Acrylic

A$2,010

huwgo sumner

Melbourne

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Cracked

By huwgo sumner

60cm (W) x 60cm (H)

Ink

A$230

Ink

By huwgo sumner

42cm (W) x 28cm (H)

Ink

A$100

Paloma

By huwgo sumner

28cm (W) x 42cm (H)

Ink

A$90

The pipes are calling

By huwgo sumner

60cm (W) x 60cm (H)

Ink

A$190

Nima Jamishi

Melbourne

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No 56 them love blue eye series paintings

By Nima Jamishi

170cm (W) x 200cm (H)

Acrylic

A$8,640

Love is the key

No60 LOVE series paintings blue eye

By Nima Jamishi

200cm (W) x 222cm (H)

Acrylic

A$9,470

LOVE No 62 series painting them love blue eye

By Nima Jamishi

205cm (W) x 253cm (H)

Acrylic

A$10,500

Public abstract collaboration with the people

Canvas of Unity

By Nima Jamishi

284cm (W) x 170cm (H)

Oil

A$5,300

Dian Nata Dian Nata

Footscray

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@Temple

By Dian Nata Dian Nata

10cm (W) x 10cm (H)

Acrylic

A$230

Toilet Sign

By Dian Nata Dian Nata

10cm (W) x 10cm (H)

Acrylic

A$540

Joe's Friend

By Dian Nata Dian Nata

20cm (W) x 30cm (H)

Acrylic

A$540

May who put a faith on it had glory, merry Christmas!

Destiny of her son, JESUS CHRIST

By Dian Nata Dian Nata

20cm (W) x 30cm (H)

Acrylic

A$540

John MOIR

DUNOLLY.

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The title says it all. Look into the painting and notice small features that will remind you of experiences while tripping through foreign countries.
Framing is available on request and the style is modern - see samples on other paintings I have listed.

Mystery Lane

50cm (W) x 60cm (H)

Acrylic

A$1,900

Capturing a glimpse, in varying light, of a few ghost gums in a red desert setting .

Outback Snow Gums

40cm (W) x 30cm (H)

Acrylic

A$340

As above the task was to try to convey a quiet corner in a busy fishing port. You have to allow for the fact that after 70 years as an artist you look for variants in what you are doing. My last 2 paintings have been more expressionism than previously. Let me know what you think about the two paintings with boats. I am also an experienced framer and create bespoke frames to the buyers requests.

Early in the Harbour

70cm (W) x 50cm (H)

Acrylic

A$1,090

Image is an expression of life in mid season with snow on the mountains and the boat moored for the day. No one about so it is cold and you need to be inside for some respite.

Norwegian Fishing Village 2

60cm (W) x 50cm (H)

Acrylic

A$1,280

Anne Tompson

Black Rock

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the joy of Spring, birds and flowers

Spring

By Anne Tompson

91cm (W) x 91cm (H)

Acrylic

A$890

the beauty of birds in their space

Birds 2

By Anne Tompson

76cm (W) x 61cm (H)

Acrylic

A$690

two ladies waters edge 2 leopards

2 With Leopards

By Anne Tompson

98cm (W) x 68cm (H)

Acrylic

A$890

strong contrasting colours, linear

Red and Blue Ladies

By Anne Tompson

100cm (W) x 70cm (H)

Acrylic

A$690