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About

I love stories.

My childhood was divided between falling off ponies and reading books. I grew up with Greek mythology and French tales of chivalry, moving on to Icelandic sagas and German folk tales. My nose was always in a book, but very few were about Tasmania. We were hungry for own stories, and on the rare occasion when a new Tasmanian book was published, somebody in the family would buy it immediately. I became an amateur historian and full-time artist searching for a uniquely Tasmanian mythology and folklore.

In 2011 I undertook an Arts Tasmania Cultural Residency on King Island, in the middle of Bass Strait, and found a rich source of stories, not least my own, for my parents were living at Grassy when I was born.

King Island is famous for dairy produce and wind (somebody told me that when the wind drops all the cows fall over) and it boasts Australia's tallest lighthouse. For more than two hundred years ships have been crashing onto its unyielding rocks, and dairy herds graze on rich pastures originally seeded from straw stuffing the mattresses washed ashore from a wreck. I found an isolated park where the remains of a small country school are shadowed by huge macrocarpas; twisted calcified tree roots form baroque sculptural shapes on windswept dunes; ruined machinery rusts at the abandoned scheelite mine where my father once worked. When it rained, I painted fanciful arrangements of natural treasures collected along the seashore.

These paintings are a humorous and light-hearted response to my time on the island. Like all my work, there is a strong narrative element; they might have some deeper meaning if you want to look for it. My intention is to amuse and entertain. Enjoy.

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Education

Bachelor of Arts; UTAS

Exhibitions

solo exhibitions in Sydney, Melbourne, Launceston and Hobart. Finalist Blake Prize, City of Hobart Art Prize, Glover Prize and other major exhibitions. Touring solo exhibition with Tasmanian Regional Arts. Paintings acquired by Monash University, Clarence City Council.
Participation in many group exhibitions, including
Women Artists of the Twentieth Century (touring NSW and Qld)
Visionfest (Liverpool, UK)
Australian Painters (Hyatt Regency, Singapore)
Simboli e Architipi (Symbols and Archetypes) - Associazione Dedalus Studi, Teramo, Italy
Metamorphosis International Surreal Exhibition – Ripattoni in Arte, Italy. ;

Press

Numerous newspaper articles and exhibition reviews over three decades.
Island Magazine, article by Andrew Harper
Portfolio of paintings – Tasmania 40° South issue 75

Influences

I live in my grandfather's house and in distant valleys I know the over-grown ruins of fallen farmsteads built by my great-grandfather, or his grandfather. From family photographs dating back to the 1870s I know the stories of Tasmania as told by the English invaders. Mediaeval and early German painting and sculpture, nineteenth century literature, Heavy Metal music, horror movies, horses, Goth fashion and modern concerns with environmental degradation and climate change, as well as sketches made on bushwalking trips into the rainforest inform my artwork. Artists I admire include Albrecht Altdorfer, Adam Elsheimer, Albrecht Durer, Pieter Bruegel the Elder, Fra Filippo Lippi and Theodore Geisel. I'm trying to combine elements of all these influences to construct a unique Tasmanian Gothic mythology.

42cm (W) x 29.5cm (H)
Acrylic Paint
$1,550
29.5cm (W) x 42cm (H)
Acrylic Paint
$1,550
29.5cm (W) x 42cm (H)
Acrylic Paint
$1,550
76cm (W) x 101cm (H)
Oil Paint
$4,630
91cm (W) x 61cm (H)
Oil Paint
$4,050
71cm (W) x 56cm (H)
Oil Paint
$2,830
71cm (W) x 56cm (H)
Oil Paint
$2,830
50cm (W) x 76cm (H)
Oil Paint
$2,830
61cm (W) x 45cm (H)
Oil Paint
$2,610
51cm (W) x 61cm (H)
Oil Paint
$2,610
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