The objective of this project was to capture the essence of the Bondi Beach landscape and the synergy between the maritime nature of the area and its inhabitants.
The soft light that bathes the entire composition serves to highlight the different relationships between the curved forms and the planes, in a manner similar to that of the sun in relation to the real elements of the place.
The composition reflects the location faithfully, incorporating numerous elements. It offers a view from the sea to the beach, as seen from the perspective of a swimmer or surfer.
The left side of the canvas depicts the southern part of the beach, featuring the renowned icebergs that define the landscape. On the right, we observe the rock formations that resemble stacked books, representing the northern limit of the area. Each morning, tourists and locals gather at this vantage point to witness the breathtaking sunrises.
The upper part of the canvas represents the horizon, the sky, and the urban landscape beyond.
The composition is centred on an amalgam of turquoise planes, moving from bottom to top, which represent the constant movement of the waves and tides. Different shapes and curves appear here, evoking human silhouettes, representing bodies in the sun. Bodies that, being partially or totally submerged by the plane of the water, are only glimpsed as loose limbs.
My objective was to capture the connection between flora, fauna and humanity, as well as the vividness of the water.
Bondi beach still life
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Artwork Details
Medium | Oil, Canvas, Ready to hang |
Dimensions | 91.4cm (W) x 121.9cm (H) x 1.5cm (D) |
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Artwork Description
Artist Bio
Alejandro Rodríguez Plaza, known by his nickname 'Plaza', is a professional visual artist born in Madrid (Spain) in 1992 and currently an Australian citizen living between Sydney, Madrid and Andalucia.
He is an architect with an absolute passion for painting and is fascinated by everything that can be framed in the field of 'creation'. His life has always revolved around the plastic arts in all their variations, starting with the urban art of 'graffiti' in the streets of his native Madrid from a very young age.
He has developed an artistic concept that mixes classical and contemporary pictorial elements with a unique sensitivity in the use of pure forms and colours, creating iconic and suggestive images. They are almost always linked to themes in which he tries to offer a new vision of the elements of nature, among which he repeatedly includes physical figures.
“Architecture has given me the opportunity to order all these visions, to put them into context, and somehow to tame the wild and disorderly artist, which is sometimes very necessary in creative processes. Sometimes I thought I was wrong to choose architecture over fine art, but in the end I understood that it was important to cultivate my creativity and ability to abstract. After all, architects are constantly working with flat, abstract visions that are representations of real, three-dimensional elements. This is the principle on which many of my creations are based. Figuration and abstraction, volumes and two-dimensional elements, with the language of colour as the common thread.”
“My art is strongly influenced by Cubism, Expressionism, Surrealism, Neo-Figurative Painting, Pop Art... although I see myself as a chameleon-like artist who is constantly learning. I find myself at this point of search, although I believe I will always be in this eternal search that comes with a commitment to creation.”
“If I had to place myself within a pictorial trend, I couldn't make a choice, but I could tell you that many of my creations are influenced by Cubism, Neo-Figuration, Impressionism, Surrealism. As artistic references I could mention Vasiliy Ryabchenjo, Franz Ackermann, Jean-Michel Basquiat, George Condo, Keith Haring, Anthony Lister, Francis Bacon, Saura, Juan Gris, Turner in his motion captures and, of course, Picasso.”