Using layered, impasto knife-work, the paintings treat oil paint as a physical extension of the landscape itself. The thick sculpted paint mimics the geological weight of rocks, wet sandbanks and the heavy fluid mass of water. Amid these structural forms sit the swimmers, caught in moments of suspension, wading or floating in silent rock pools. These works mimic how summer memories shift: moving fluidly between the vastness of the horizon and the fragments of a single afternoon.