Painting by Aylee Kim 65 Artworks Sold

Walking along on Pottinger Street

Oil, Canvas, Ready to hang

51cm (W) x 51cm (H) x 4cm (D)

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A$3,560

Arrives 5–7 Aug

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Artwork Description

This painting is part of my landscape series, created during the time of COVID-19 restrictions. When movement was limited and travel was impossible, I explored neighbourhoods through Google Maps, collecting five to ten images to form the basis of each work. The process became a way to journey without leaving home, and to reflect on the strange mixture of closeness and distance that shaped daily life at the time.

In this work, the suburban street is simplified into bold blocks of colour and outlined forms which influenced from stained-glass. The orange sky and red road set a vibrant stage, while houses and trees stand quietly across from one another. Though the street is empty of people, there is a strong sense of presence—of lives just beyond view. The stop sign at the centre becomes a symbol of pause, reminding us of the restrictions, yet also of the possibility of stillness and reflection.

Philosophically, the painting suggests that connection does not disappear even when physical contact is limited. The houses, like people, remain close yet apart, bound by invisible ties. The work captures both longing and hope, reminding viewers that human connection endures, even in separation, and that moments of distance can deepen our sense of togetherness.

Artist Bio

my Light series, where the focus is not only on visual beauty but also on spiritual meaning. Plant-like forms are painted with soft layers that flow into one another, using tones of blue, green, and violet to create an atmosphere that feels both calm and alive. The shapes are not rigid; they shift like light on water or images half-remembered, suggesting how nature is always moving, always transforming.

Beyond its surface, the work carries a deeper purpose. I hopes that a collector who lives with this painting will find comfort and inspiration each day. It is not just something to look at, but something to live with—a companion that reminds us of renewal, resilience, and harmony.

In the vision of the Light series, the image also holds meaning for the final journey of life. On the last day, when one prepares to leave this world, I imagines this painting appearing in the eyes of the beholder, as if the light within it could guide them into another world. In this way, the work becomes a lasting presence—gentle, hopeful, and eternal.

Commissions

Aylee's studio is in Brisbane