Shadow of a large pine cast across a river in a rivine. Shadow of a large pine cast across a river in a rivine. Shadow of a large pine cast across a river in a rivine. Shadow of a large pine cast across a river in a rivine. — detail Shadow of a large pine cast across a river in a rivine. — shown hanging
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See it on your wall

Take a photo of your room and we'll place Casting shadow on it, at its real size. About 15 seconds.

  • Stand square-on to the wall
  • Get the whole wall and some furniture in
  • Daylight works best

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Shadow of a large pine cast across a river in a rivine.
Shadow of a large pine cast across a river in a rivine.
Shadow of a large pine cast across a river in a rivine.
Shadow of a large pine cast across a river in a rivine. — detail
Shadow of a large pine cast across a river in a rivine. — shown hanging
4.8 21,722+ Bluethumb reviews

Casting shadow

Oil, Canvas, Framed by Artist

40cm (W) x 32cm (H) x 4.2cm (D)

  • Original · Handmade
  • Signed by the artist
Bevan Henderson Verified artist
Sydney
10 works sold

Framed by Artist

A$240

4.8 · Free returns

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Arrives 10 to 12 Nov

Free tracked, insured shipping Australia-wide.

Packed by the artist and sent to your door.

7-day trial at home

Hang it, live with it, see it in your own light. If it isn’t right, tell us within 7 days of it arriving and we’ll arrange collection.

  • Free return shipping, Australia wide
  • Full refund if the work isn’t right for your space, including framing
  • Fully insured, both ways

Fair use terms apply.

  • Original
  • Handmade
  • The Only One

Artwork Description

This is an oil painting of a picture I took in Tasmania back in 2011. I came across the photo recently and was immediated taken by the light and the composition of the scene. The dark colours in the bottom right hand corner creates a tension when combined with the sunlight hitting the edge of the trees, rocks and the water.

Artist Bio
Photo of Bevan Henderson
Bevan Henderson 59 artworks | 10 Sold

I started out with a pencil in hand, drawing portraits and learning to capture emotion through subtle lines and shadows. Over time, I found myself wanting more depth, colour, and freedom and that led me to oil painting.

These days, I love working with oil because of how it lets me explore contrast, light, and mood in a way pencil never could. My subjects are always changing. I’m drawn to anything with character, whether it’s a person, an old car, an animal, or even a building.

For me, painting is about looking more closely and finding something interesting in the everyday and bringing it to life with colour and light.

Commissions
Bevan's studio is in Sydney