Eden Ed. 1 of 5

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(Requires Framing)

A$120

Artwork Details

Medium Photograph (Requires Framing)
Dimensions 30cm (W) x 20cm (H) x 0cm (D)
Review Stars 21,239 Customer Reviews
Original Artwork
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Artwork Description

This work was taken while driving through Hallet Cove, South Australia one morning of rare blanketed fog. The photographs were shot for a work called 'Nepenthe', which means something that can make you forget grief and suffering. As an installation, the images were projected and distorted through a hand blown glass vessel, to create an aurora type effect on the ceiling. However, the images themselves also demanded to be seen, with an enduring, defiant presence. This work titled 'Eden' refers to the two ancient gum trees as the reference to Adam and Eve, in the mythical utopia of the Garden. Today we still search for places of peace, of tranquility and the beauty of nature.

It speaks of my past connection with my Christian upbringing, but also my distance from it. I think there are many people still searching and wandering through a spiritual journey; it is ok not to know, it is ok to question. May you find peace in your own small paradise...

Exhibited at Rain Moth Gallery Waikerie for South Australian Living Artist Festival 2018. Available in other sizes on consultation. Limited run of 5 prints only.

Artist Bio

As a photography based contemporary artist, Hoffrichter is a research led practitioner working in experimental installation and interdisciplinary media. Her work often inextricably involves the viewer as an active participant in order to challenge the dominant power dynamics of spectatorship and traces lineages which tangle our contemporary realities. Drawing on surrealist strategies and phenomenological philosophy, she renders the familiar unfamiliar, revealing new perspectives on landscapes, gestures, and rituals that structure everyday life. Symbolism drawn from nature—plants, phenomena, and recurring motifs of red as distress or protection—anchors her exploration of the ‘unseen’. Her projects navigate inner and outer worlds, from “natural” to constructed environments, while considering the colonial legacies and cultural mythologies that frame them.

A sustained interrogation of identity, ethics, and power underpins her work. Collaborative projects explore dual perspectives, while Lacan’s theories of the gaze inform her approach to destabilising spectatorship. Many works “look back” at audiences, unsettling the one-way dynamics of viewing and questioning complicity embedded in acts of looking. Photography itself becomes a site of ethical inquiry: the politics of representation, responsibility, and image-making. Through research-led projects, Hoffrichter situates her practice within discourses of decolonisation, feminist critique, and environmental ethics, informed by writers such as Sara Ahmed, Susan Sontag, and Linda Tuhiwai Smith. Her works invite audiences to slow down, attend, and reorient—to reconsider what is within reach, what is excluded, and how our ways of seeing shape the worlds we collectively create.

Her practice is highly experimental and often challenges the limitations of materials or technologies. While her practice is deeply influenced by the traditions of photography, her work extends into multimedia installations where specific objects hold significance in the work and often relies on the participation of a viewer.

Each work is hand crafted with time and care by the artist.

Commissions

Bianca's studio is in Adelaide, South Australia