Sentinel Ed. 1 of 5

Verified Artist Certificate of Authenticity Included

(Requires Framing)

A$120

Artwork Details

Medium Photograph (Requires Framing)
Dimensions 20cm (W) x 30cm (H) x 0cm (D)
Review Stars 21,239 Customer Reviews
Original Artwork
This artwork is one of a kind!
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Friday, Jun 12 - Sunday, Jun 14

Artwork Description

Sentinel bridges a connection with the ancestry of the land and fauna of the river land in South Australia. It interrogates the trees as figures who have witnessed the history of the land, as the silent watchers. They stand as testament to the harsh but beautiful land we call Australia, and explore the cycles of life, destruction, flood and rebirth in this unique ecosystem. They are the a connected life force of our world, but also reminders of our duty to care for this land, as they care for us.

Sentinel was crafted in the River land near Waikerie and Blanchetown, and exhibited at Rain Moth Gallery for the Ruthless Red Romance exhibition this year. Available in other sizes on consultation. Limited run of 5 prints only.

Artist Bio

As a photography based contemporary artist, Hoffrichter is a research led practitioner working in experimental installation and interdisciplinary media. Her work often inextricably involves the viewer as an active participant in order to challenge the dominant power dynamics of spectatorship and traces lineages which tangle our contemporary realities. Drawing on surrealist strategies and phenomenological philosophy, she renders the familiar unfamiliar, revealing new perspectives on landscapes, gestures, and rituals that structure everyday life. Symbolism drawn from nature—plants, phenomena, and recurring motifs of red as distress or protection—anchors her exploration of the ‘unseen’. Her projects navigate inner and outer worlds, from “natural” to constructed environments, while considering the colonial legacies and cultural mythologies that frame them.

A sustained interrogation of identity, ethics, and power underpins her work. Collaborative projects explore dual perspectives, while Lacan’s theories of the gaze inform her approach to destabilising spectatorship. Many works “look back” at audiences, unsettling the one-way dynamics of viewing and questioning complicity embedded in acts of looking. Photography itself becomes a site of ethical inquiry: the politics of representation, responsibility, and image-making. Through research-led projects, Hoffrichter situates her practice within discourses of decolonisation, feminist critique, and environmental ethics, informed by writers such as Sara Ahmed, Susan Sontag, and Linda Tuhiwai Smith. Her works invite audiences to slow down, attend, and reorient—to reconsider what is within reach, what is excluded, and how our ways of seeing shape the worlds we collectively create.

Her practice is highly experimental and often challenges the limitations of materials or technologies. While her practice is deeply influenced by the traditions of photography, her work extends into multimedia installations where specific objects hold significance in the work and often relies on the participation of a viewer.

Each work is hand crafted with time and care by the artist.

Commissions

Bianca's studio is in Adelaide, South Australia