A soft abstract composition built from layered rectangular forms in blush, ivory, warm beige and muted grey. Subtle shifts i… A soft abstract composition built from layered rectangular forms in blush, ivory, warm beige and muted grey. Subtle shifts i… A soft abstract composition built from layered rectangular forms in blush, ivory, warm beige and muted grey. Subtle shifts i… A soft abstract composition built from layered rectangular forms in blush, ivory, warm beige and muted … — artist's signature A soft abstract composition built from layered rectangular forms in blush, ivory, warm beige and muted grey. Sub… — edge view A soft abstract composition built from layered rectangular forms in blush, ivory, warm beige and muted grey. Subtle… — detail A soft abstract composition built from layered rectangular forms in blush, ivory, warm beige and muted grey.… — shown hanging
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A soft abstract composition built from layered rectangular forms in blush, ivory, warm beige and muted grey. Subtle shifts i…
A soft abstract composition built from layered rectangular forms in blush, ivory, warm beige and muted grey. Subtle shifts i…
A soft abstract composition built from layered rectangular forms in blush, ivory, warm beige and muted grey. Subtle shifts i…
A soft abstract composition built from layered rectangular forms in blush, ivory, warm beige and muted … — artist's signature
A soft abstract composition built from layered rectangular forms in blush, ivory, warm beige and muted grey. Sub… — edge view
A soft abstract composition built from layered rectangular forms in blush, ivory, warm beige and muted grey. Subtle… — detail
A soft abstract composition built from layered rectangular forms in blush, ivory, warm beige and muted grey.… — shown hanging
Painting by Bianca Slade 83 Artworks Sold

Structure

Acrylic, Canvas, Ready to hang

102cm (W) x 102cm (H) x 3.5cm (D)

Certificate of Authenticity Included
A$1,400

Artwork Description

Artist Bio
Photo of Bianca Slade
Bianca Slade 145 artworks | 10 Sold

My current work is about stripping everything back, visually and emotionally.
Each mark is a decision to remove polish, remove performance, and let the raw remain.
I am interested in the moment where confidence and imperfection meet, where a single stroke can feel confrontational, honest, and unprotected.
Minimalism for me is not the absence of complexity but the courage to let only the essential remain.