Painting by Billy Shannon 14 Artworks Sold

Jag - Sonnet 54

Acrylic, Canvas, Ready to hang

102cm (W) x 102cm (H) x 3.5cm (D)

Certificate of Authenticity Included

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A$4,000

Arrives 19–21 Sep

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Artwork Description

A merging of two work series. Jag Popham is a Brisbane based contemporary dancer. This painting was done as part of my Sleep series whilst he was working with Expressions Dance Company, here in Brisbane. I decided to repurpose a painting from my Shakespeare's Sonnet 54 series that I was in the middle of working on, as the sonnet reflects on the nature of beauty and truth, as well as the transience of youthful beauty. I showed Jag the sonnet and he strongly related to it, so it was a perfect match!

Many of the acrobats and dancers that I was painting for the sleep series at that time were beautiful young people, but their career can only last so many years, as it is so demanding on their bodies. By the time most of them are in their mid-thirties, they are certainly thinking about the next phase of their lives. Jag was 22 when this work was made, in peak fitness and just about to head off to London to an exciting new company. His intrinsic self is the personification of truth and integrity, and seems dynamic, even in his sleep.

The Sleep series came about via my other-role as a deep tissue massage therapist for physical performers. In 2014, one of my clients wanted to know what she’d look like “through the eyes of my paintbrush”. As she was exhausted from her day’s performance work, I suggested that she have a snooze… A 90-minute massage is always the first part of each painting session, it ensures that they sleep and deepens our connection within the work. Observing the transition and contrast of these highly active, dancers and circus performers into a passive state of rest and repair, intrigues me a great deal and leads to many thoughts of the internal journeys that we all go on in sleep.

SONNET 54

O, how much more doth beauty beauteous seem
By that sweet ornament which truth doth give!
The rose looks fair, but fairer we it deem
For that sweet odour which doth in it live.
The canker-blooms have full as deep a dye
As the perfumed tincture of the roses,
Hang on such thorns and play as wantonly
When summer's breath their masked buds discloses:
But, for their virtue only is their show,
They live unwoo'd and unrespected fade,
Die to themselves. Sweet roses do not so;
Of their sweet deaths are sweetest odours made:
And so of you, beauteous and lovely youth,
When that shall fade, my verse distills your truth.

Shakespeare

Artist Bio

Brisbane based artist, Billy Shannon’s passion as a painter is to explore our rather questionable reality. How much tangible information does one need in order to understand the emotional life of a painting? Transitory visual clues suggest a path that the viewer may take through the work. The next time the painting is seen, perhaps another path will reveal itself.

"My work as a painter has been formed and informed by my work as a scenic artist for the theatre and film industries from 1979 to 2007. Through that experience, I developed the discipline of working daily and rather than needing to seek inspiration, it just comes as I start work if it hasn’t been hounding me all the way to the studio.

"I work with acrylic paint on either stretched canvas or on hand crafted tondi made from MDF boards that I rout into circles and rout into specific frames to go with each work. I generally work in many layers of paint, using varnish as my medium as I am obsessed with the way light travels through all the optical and emotional layers, bounces off the substratum and travels back out to where we catch some of it’s mercurial existence and are struck by what stories it tells.

"I tend to work in 2 styles, either exceedingly brief where each moment of a stroke of paint tells an exact and multilayered story akin to sumi-e, but with colours. Otherwise I seem to go into a hundred or so layers, exploring the movement of light, colour and their interpretive capabilities."

Billy has participated in many exhibitions in Brisbane, Melbourne and Tasmania and has been involved in quite a few artist run spaces since 1990. A couple of highlights of Billy's life in the performing arts as a scenic artist was working on major theatre productions such as ‘Phantom of the Opera’ whilst working with Scenic Studios in Melbourne, and then being in charge of backdrops and murals for films such as ‘Nim’s Island’

Commissions

Billy's studio is in Brisbane