Mineral Metaphysik, AVM Series

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Artwork Details

Medium Acrylic, Canvas, Ready to hang
Dimensions 121cm (W) x 121cm (H) x 4cm (D)
Review Stars 21,269 Customer Reviews
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Wednesday, Jun 24 - Friday, Jun 26

Artwork Description

An abstraction technique involving hard edged, curved contours. The highly stylized colours and imagery was inspired by oxidised rock formations.

This work titled ‘Mineral Metaphysik’ is an early stage in a series I call ‘AMV’, (Animal Vegetable Mineral) this one being derived from a study of oxidation on a rock surface. I wished to create a work that had a kind of contained energy and used forms that hinted at the gestural but are deliberately diverted into an entrapped dynamism with the colours and shapes providing the visual momentum. I was inspired to explore this emerging idea further by using a hard-edged treatment that has the fluidity and harmony of tessellated forms.

Artist Bio

Engaged in a wide variety of art projects over the years.
Completed a UniSA Visual Arts Degree in 1995
Stencil Art Prize 2017 Finalist (Touring exhibition)
Full time career as GIS analyst until 2020 (while making art)
Decided to go pro as an artist in 2023
Member of Red House Group artists community
Gallery M Contemporary Art Prize finalist August 2023

Visual art practice - My artwork covers a wide variety of styes and techniques and I am as comfortable with more conceptual work as I am with the decorative and design aspects of visual art. I am currently concerned with personal meanings and tensions between human scale values and earth scales. I like to frame an idea like a ‘cartoon’ with simple elements in a unique conflict. My art also explores the conceptual boundaries of different disciplines, the representation of spatial concepts and views of the landscape, relationships of scale and the symbology of numbers.

Contemporary design art - A subset of my practice is connected with another branch of my work experience as a production artist. Although I often attempt to keep the conceptual work and the more decorative work separate, at times the visual design aspects of artwork in the contemporary design and decor frame can be a point from where where my more conceptual work draws strong organising principles. When these overlap in a meaningful way I tend to let them cross-pollinate each other.

I started painting while at secondary school and worked as a production artist after leaving school
Why did I mention painting at school? Because important impulses show up early. Definitely not because of some kind of nostalgia.

Other influences and interests: Music composition and production, Conceptual art, Sculpture and assemblage, Graphic design, Symbolism, Mythology, Psychology, Ancient cultures, Archaeology, Cosmology...

Commissions

Brenton's studio is in Blackwood, South Australia