Falegrity II

• Flying over Arkaroola en route to Western Australia, I was fascinated by the patterns of clouds drifting over the desert. I explored the idea of a painting using watercolour, and digitally manipulated it in various ways. Converting it to a negative turned the arid landscape a verdant green, and the sky into a sunset blaze. I painted this response in acrylic.
• About the surface and panel: Works on panel are more durable and long lasting than works on canvas — many made in the Middle Ages and Renaissance are still admired today. This is a hand-crafted panel made of cradled (braced) plywood, and sealed on all sides with acrylic varnish. English Saunders 100% cotton watercolour paper is mounted to the panel using acrylic gel to provide an archival surface protected from the wood. The watercolour paper provides a unique texture.

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• Our world’s shapes, colours and textures have a deep personal resonance and I aim to share that sense of wonder. I’ll always keep experimenting, learning, and making sense of the world through my personal art, and I’m excited to showcase and offer some of the pieces here in the hope you’ll enjoy them too.

• I work predominantly in acrylic and sympathetic water media. My acrylic works on watercolour paper mounted to my own handcrafted braced panels do not need to be mounted under glass, and can be cared for like any other varnished acrylic painting. All my works are completed with artist quality archival materials and media, and crafted with care and attention to longevity.

• If you are interested in a piece and have further questions, or are just curious about how I created it, feel free to drop me a question here in Bluethumb. Be sure to check out all my paintings, even the sold ones that I’m also very proud of, by clicking on the links above.