Effigy 2 Ed. 1 of 10

Giclée, Paper (Requires Framing)

50cm (W) x 71cm (H) x 0.3cm (D)

Certificate of Authenticity Included

Complete your piece with a wood frame

Recommended

Natural is our curators’ preference. It adds warmth without announcing itself, keeping the artwork the focal point.

Artwork only · unframed

A$500

Unframed

Arrives 3 to 5 Nov

Free tracked, insured shipping Australia-wide.

Packed by the artist and sent to your door.

7-day trial at home

Hang it, live with it, see it in your own light. If it isn’t right, tell us within 7 days of it arriving and we’ll arrange collection.

  • Free return shipping, Australia wide
  • Full refund if the work isn’t right for your space, including framing
  • Fully insured, both ways

Fair use terms apply.

Artwork Description

This is a linear abstract, created using an original work, ink brush on paper, which is then scanned, imported into Procreate and transformed.
I enjoy the freedom of the physical line found with a ink-brush pen on paper as I create the original line The shape, texture and line of architecture and the body form a kind of intuitive well that I use to inform both the original line and the layering of colour and texture that lead to the finished work.

The work is then printed via the inkjet process using Archival Rag paper and Archival Inks by a long established printing company in Melbourne.

Artist Bio

I am an artist living in Melbourne. Since retiring I have concentrated on my art practice and am showing my works in the online marketplace.

I completed formal studies in printmaking and photography over the years and have integrated concepts and processes from my studies in my current approach. I use physical media and software programs on the iPad as printmaking tools, working on the same image in different programs to produce a finished work, completed as a Giclée print, a Fine Art inkjet process using archival inks on archival rag paper.

I am drawn to abstraction, using the interplay of form and line, light and shadow, to suggest meaning. My preference has been for a muted palette, monochrome or a muted harmony of line and colour.
I am influenced by music, not specific pieces, but the idea of music; an abstract communication conveying emotion and meaning through being itself. The body informs some of my work, being embodied, other bodies and experiences, movement within the body, the body’s movement in the environment. Both the natural and constructed world inspire form and line. The artwork may be geometric or organic, usually a combination of both; texture, colour, object and line suggested and transformed by intuitive process, working with balancing or integrating a need for meaning and a need for mark and colour making for its own sake.

Commissions

Bruce's studio is in Melbourne