Artwork Description

Giclée on paper

Signed and numbered with a certificate of authenticity.

Abandoned on Blvd D’Anfa is part of a series of work titled Casas blancas cielos azules (white houses, blue skies)

I lived in Casablanca, Morocco from 2015 – 2017. Taking photographs of white buildings against clear blue skies I fragmented and mirrored them using the same principles applied in tradition Islamic design. The process abstracts the buildings from their original form and this new entity floats in front of blueprints of pencil-line drawings of traditional Islamic patterns.

Everything is beautiful in Casablanca as long as you are looking up…

Casablanca, a North African city, built by the French with a Spanish name; conjuring images of Hollywood romance, it was once the dream of empire and is now the financial capital of Morocco spearheading modernisation and development. It is a new city, full of people drawn by the promise of opportunity and wealth. It is a city of extremes, chaotic streets, but a clear, clean light, white buildings and bluer than blue cloudless skies day after day.

The series is a study of pattern and form exploring the tension between the drive of modernity and nostalgia for the past.

These works will be printed when an order is placed so please allow extra time for this part of the process to be completed before the parcel is on the way to you.

The print is purposely unframed so you can choose your own colour and style to suit your location.

If you like this image though prefer a smaller size please feel free to send a message so we can sort this for you.

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Medium

Archival pigment print on cotton rag

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Unframed (requires framing)

This artwork is unframed and requires framing.

#white building, #Casablanca, #Morocco, #Islamic patterns, #navy blue, #white

All art by Cat Wilson

a series of four panels, each filled with blue and white patterns made from architectural photographs that are carved up and repeatedA rectangular image in shades of Prussian Blue. It is a repeated pattern based on a mosaic from the Attarine Madrasa in Fez. It is framed inside a natural wood float-frameA rectangular image in shades of Prussian blue. The image is a biomorphic pattern based on a plaster carving from the Bou Inania Madrasa in Fez. It is framed in a natural wood float-frameA rectangular image in shades of Prussian Blue. It is a repeated pattern based on a wood carving from the Bou Inania mashrabiya Madrasa in Fez. It is framed inside a natural wood float-frame
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