I am a 'naive' artist, never having had any formal training. I have been painting, using various media, for over 30 years. I began painting with oils, then moving onto watercolours but I wanted to paint on more solid surfaces, so I moved onto acrylics and I love the translucent and forgiving nature of acrylics.

I now normally paint with acrylics on canvas or board. Painting on board allows for greater depth of colour as well as enabling a greater range of effects. Painting on canvas is more challenging and more satisfying.

Buildings of various shapes and sizes are my main subject. My interest is the way buildings sit in their physical environment and their interplay with light, shadow and darkness. I am intrigued by the colour of shadows and how shadows provide depth and solidity to paintings. I have executed several night cityscapes that are challenging as artificial light must reflect from solid surfaces but the temptation is for the buildings to generate their own light. I occasionally overlay wet roads into the paintings and subtly incorporate reflections into the wet surfaces.

My inspiration, however, principally comes from being in places such as Hobart, Southern France, Italy, Greece and England. I study the way that development by humans has positively altered the landscape. My main artistic influences are the Impressionists and Post-Impressionists, principally, Maurice Utrillo.

I have not exhibited widely but have managed to sell paintings through word-of-mouth and online. I have also been commissioned to paint peoples' homes or their favourite overseas holiday snap.

I am a member of the Colour Circle and the Art Society of Tasmania and regularly participate in their exhibitions.

I live on acreage in Lindisfarne, Tasmania with my wife and two sons.


Bachelor of Arts (University of Tasmania)


Annual Hobart Rotary Art Show (2010-2016)
Art Society of Tasmania - regular exhibitions


I draw inspiration from the cityscapes of French Post-Impressionist, Maurice Utrillo. Nineteenth century British artist John Atkinson Grimshaw's sixty night-scenes are also inspirational. More contemporary inspiration is drawn from San Fransisco-based artist, Jeremy Mann.

92cm (W) x 61cm (H)
Acrylic on board with 7cm, white wooden frame
104cm (W) x 76cm (H)
Acrylic on board with 7cm wooden frame
102cm (W) x 76cm (H)
Acrylic on stretched canvas with painted edges
92cm (W) x 61cm (H)
Acrylic on stretched canvas
90cm (W) x 60cm (H)
Acrylic on canvas - painted on all edges
76cm (W) x 60cm (H)
Acrylic on canvas
122cm (W) x 41cm (H)
Acrylic on canvas with painted edges. ready to hang.
120cm (W) x 60cm (H)
Acrylic on board with a narrow wooden frame
90cm (W) x 60cm (H)
Acrylic on board with a 7cm moulded, wooden, white frame
101cm (W) x 76cm (H)
Acrylic on canvas