Printmaking by Colin Rowe 20 Artworks Sold

Lunch With Picasso and Dora. Ed. 1 of 20

Reproduction Print, Paper (Requires Framing)

71cm (W) x 50cm (H) x 1cm (D)

Signed Certificate of Authenticity

Complete Your Piece With A Wood Frame

A$270

Arrives 1–3 Sep

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Artwork Description

I was never really moved or inspired by Picasso as an art student, but when I went to the Picasso exhibition in Melbourne I was astonished. His small drawings in particular, with screaming women rushing from burning buildings - often holding dead or dying children - were very powerful. I also enjoyed many of his portrait paintings, which I'm sure were often painted tongue in cheek. I thought what a conversation with Pablo over lunch would be like and then wondered if he and Dora would show up in their Cubist form?If you would like this print either larger or smaller to fit a specific space let me know and I’ll alter the dimensions for you. This may alter the selling price a little which I can calculate for you.

Artist Bio

Born in Hampshire, England, Colin arrived in Australia in 1971 and found work making chandeliers and later delivering rental televisions. Studying for matriculation over two years at night school he enrolled in Art College at the Preston Institute of Technology in 1975. A number of leading artists taught at PIT and Colin had the opportunity to work in audio with David Tolley, conceptualism with Dom De Clario, with the hard edge painting of Dale Hickey and the large, expressionistic work of Peter Booth, all of who have subtly influenced his own art. Majoring in Sound and Painting Colin left to drive taxis and to teach Art. Failing to heed the advice of a gallery director who told him to consider concentrating on one genre and sticking to it Colin continues to produce figurative paintings and drawings; large, ambient, colourwork and the occasional sculpture, installation and audio work.
About my artwork.
My work is generated from things around me that fit a certain feeling. At times I go looking and find them in places, or in objects and people. Other times I find them in a less active fashion, in sounds or perhaps in dreams or blends of colours. I find making artwork irresistible and enjoy the actual cognition of looking, listening and producing the work. Art is a rich tool, a mechanism that I can use to explore and respond to this curious and strange world where things appear both solidly real and also evasive and elusive.

Commissions

Colin's studio is in Mildura, Australia