Love Letters Vase

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A$560

Artwork Details

Medium Sculpture, Paper
Dimensions 20cm (W) x 22cm (H) x 20cm (D)
Review Stars 21,251 Customer Reviews
Original Artwork
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Estimated Delivery Time from NSW

Tuesday, Jun 16 - Thursday, Jun 18

Artwork Description

Love Letters Vase is a hand-painted sculptural vessel inspired by memory, identity, and emotional inheritance. Its imagery traces a personal timeline of growing up: the Virgin Mary reflects a Catholic upbringing and the presence of faith and family; a worn Glo Worm recalls childhood comfort; and The Ugly Duckling marks adolescence and the search for belonging. A vintage Valentine’s card paired with a 90s Windows error message speaks to unrequited love, while a Filipino 10-cent stamp honours heritage, migration, and intergenerational story.

I chose the vase form for its symbolism as both container and object - something that holds and endures. Hand-painted with visible brushwork and tactile texture, the piece is made from durable materials and finished for longevity. It may be displayed as a sculptural object or used gently as a functional vessel. I hope viewers feel recognition, tenderness, and permission to reflect on their own love letters to the past.

Artist Bio

Coris Evans is a visual artist based on Bundjalung Country in Byron Bay, Australia. Her practice explores memory and longing, using familiar objects and symbols to trace how personal history lingers in everyday life.

After losing her mother to cancer as a teenager, memory became something to return to - a place where time slowed, where tenderness endured, and where her mother still lived. Evans’ paintings and sculptural works draw on ordinary objects as emotional anchors: a well-worn mug kept beyond its use, an old mobile phone once filled with teenage secrets, the lingering scent of a parent’s hair product. These details become quiet carriers of feeling, transforming intimate memory into shared experience.

Working primarily with sustainable and recycled materials, Evans views care for the environment as inseparable from care for memory itself. Her process is slow and deliberate, guided by responsibility - to material, to narrative, and to the world her work inhabits. Through her practice, Evans invites viewers to reflect on what we hold onto, what we lose, and the objects we return to when we want to remember who we were.

Commissions

Coris's studio is in Byron Bay, NSW