The Rapture Vase

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A$890

Artwork Details

Medium Sculpture, Paper
Dimensions 19cm (W) x 33cm (H) x 19cm (D)
Review Stars 21,251 Customer Reviews
Original Artwork
This artwork is one of a kind!
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Estimated Delivery Time from NSW

Tuesday, Jun 16 - Thursday, Jun 18

Artwork Description

The Rapture Vase is a hand-built sculptural vessel made from recycled paper pulp, inspired by the slower rhythms and quiet wonder of a 1990s childhood. Its surface is alive with nostalgic imagery: a Pizza Hut Land Before Time puppet, an Alligator Dentist game, a precariously balanced stackhat helmet, and familiar cartoon figures. Subtle digital icons - Clippy and the classic Explorer symbol - nod to early encounters with technology and the sense of magic it once held.

Each curve and hand-painted detail carries intention, capturing moments of curiosity, play, and discovery. I chose paper pulp for its softness and vulnerability, allowing the piece to feel tactile, intimate, and lived-with rather than polished. The vase sits between object and memory, functional yet deeply symbolic. I hope viewers feel comfort, recognition, and a gentle longing - an invitation to slow down and reconnect with the small objects and rituals that once shaped who we are.

Artist Bio

Coris Evans is a visual artist based on Bundjalung Country in Byron Bay, Australia. Her practice explores memory and longing, using familiar objects and symbols to trace how personal history lingers in everyday life.

After losing her mother to cancer as a teenager, memory became something to return to - a place where time slowed, where tenderness endured, and where her mother still lived. Evans’ paintings and sculptural works draw on ordinary objects as emotional anchors: a well-worn mug kept beyond its use, an old mobile phone once filled with teenage secrets, the lingering scent of a parent’s hair product. These details become quiet carriers of feeling, transforming intimate memory into shared experience.

Working primarily with sustainable and recycled materials, Evans views care for the environment as inseparable from care for memory itself. Her process is slow and deliberate, guided by responsibility - to material, to narrative, and to the world her work inhabits. Through her practice, Evans invites viewers to reflect on what we hold onto, what we lose, and the objects we return to when we want to remember who we were.

Commissions

Coris's studio is in Byron Bay, NSW