4.8 21,724+ Bluethumb reviews

Goldmine

Pastel, Paper (Requires Framing)

59.4cm (W) x 42cm (H) x 0.1cm (D)

  • Original · Handmade
  • Signed by the artist
Dane Ikin Verified artist
Sydney
42 works sold

Complete your piece with a wood frame

Recommended

Natural is our curators’ preference. It adds warmth without announcing itself, keeping the artwork the focal point.

Artwork only · unframed

A$430

4.8 · Free returns

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Arrives 11 to 13 Nov

Free tracked, insured shipping Australia-wide.

Packed by the artist and sent to your door.

7-day trial at home

Hang it, live with it, see it in your own light. If it isn’t right, tell us within 7 days of it arriving and we’ll arrange collection.

  • Free return shipping, Australia wide
  • Full refund if the work isn’t right for your space, including framing
  • Fully insured, both ways

Fair use terms apply.

  • Original
  • Handmade
  • The Only One

Artwork Description

In recent times I have been concentrating on the emotional impact of colours divorced from the meaning implied by recognisable shapes, so yellow gives a happy vibe, and the oranges and reds add warmth. But I couldn't resist tempering it all with a broken structure of dark lines. Perhaps it reflects my view of life: a chaotic collection of pleasant times with no particular rhyme or reason.

Artist Bio

I am a Sydney based graphic designer that likes to draw faces. I started drawing pencil portraits when I was twelve but these were difficult to print because pencil isn’t dark enough to scan well, so I changed to biro for my portraits and that was my favourite medium for a long time. I mainly do commission portraits, but this tends to be limited by the quality of the photos that people submit to me. I much prefer to take the photos myself so I can set up the lighting, but this is not always possible.
Coming from a drawing background, I was always disappointed that my pictures didn’t have the gravity of a photograph. As a result, I pushed my pictures darker and darker. This allowed me to discover the highlights and sparkles that give photographs a lot of their liveliness, so I have searched for these aspects in my pictures ever since.
When I retired, I began teaching art classes. This forced me to expand my capabilities into colour so that I can give my students some guidance. I started with hard pastels which allowed me to maintain my drawing style and it allowed me to use coloured paper so I could bypass all the work of filling in the midtones and just concentrate on the shadows and reflections. My students were more interested in watercolour painting than drawing, so I had to develop some skills in that area so I could help them develop their skills. I still prefer dry media so I know exactly what I am creating, rather than having to wait for the medium to dry to know what it actually will look like, but now I have some understanding of other styles.
COVID put an end to our art classes, but recently I have joined a group at my local library that brings together a diverse range of artistic interests and people of varying ages. This has exposed me to more new media and to different approaches. I have been experimenting with these new media and discovering new capabilities. Trying to integrate ideas of pure design, calligraphy, mandalas, anime, and cartoon characters into my normal style has rekindled my excitement for art.

Commissions

Dane's studio is in Sydney