Lakeside

This large painting captures the atmosphere of light filtering through trees and reflecting across a quiet lake, translated into a deliberate, pixelated visual language. The trunks rise vertically through the composition, broken into bold, block-like strokes of colour that suggest dappled sunlight hitting bark and foliage.

Cool blues and teals define the water and distant landscape, while warm peach, pink, and creamy yellows illuminate the tree trunks and forest floor. These contrasting tones create the feeling of shifting light—sun breaking through canopy and scattering across both land and water.

The structured, almost mosaic-like brushwork gives the scene a contemporary edge, fragmenting the landscape into rhythmic colour segments. Occasional drips of paint soften this control, adding movement and reminding the viewer of the fluid, organic nature of the subject.

Rather than a literal depiction, the painting conveys the experience of standing lakeside as light flickers through trees—an interplay of reflection, shadow, and colour captured in a bold, modern style.

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Have been painting in Oils for 20 years, starting off in a traditional landscape/still life style, but gradually evolving to wherever inspiration, and the paint and colour take me. I have Illustrated Children's books, working in Acrylic, however the flow, movement and deep depth of colour of Oil's are truly addictive.

My art is wide and varied, and provides me with endless joy, with the odd moment of frustration along the way. The joy of my art is that I don't put any restrictions on it. It flows, it comes from ideas, visions and sometimes just from playing with paint. The whole point of being a creative person, is to be creative, so I can't lock into a particular style and paint that style over and over. The closest I come to that are my fish paintings, but I love my fish paintings, they are so relaxing, therapeutic and never quite the same as I chase the swimming fish around the canvas.
Sometimes I will start a painting with a particular idea, or style in mind, but as soon as I apply paint to the canvas I see something happening that I simply can't resist. So the original idea is taken over by the intriguing possibilities of the unknown creation that lies ahead. Sometimes that creation is nothing special, or lost in the overworked searches for that magic painting that came from nowhere. Sometimes, that magic painting does come from nowhere, and I stand back amazed and wonder how it happened. My years of experience have taught me to trust my artistic instincts, so more often than not, I am pleased with the results.
I have no doubt that my unrestricted "style" probably works against my marketable profile, but I love the way I can paint with freedom and I cannot wait to see what I come up with next.