Acrylic on paper

Signed certificate of authenticity.

The artist has painted Ngalyod, the Rainbow Serpent. Ngalyod is regarded as a most important ancestor spirit in West Arnhem Land and appears in various manifestations in Kunwinjku mythology. In the Dreamtime she assumed a range of animal forms including snake, kangaroo and crocodile and at times transformed herself from one to the other, or into a combination of each. It is believed that as a serpent she tunnels underground using barbed extensions from her head and the bony protuberance from her neck as aids. It is believed that Ngalyod dwells in various billabongs in Arnhem Land today, sometimes swallowing bininj (the Kunwinjku term for Aboriginal people) as punishment when they break traditional laws.
Ngalyod is painted by many Kunwinjku artists, according to each artist's own imagination and mythological background. She is often depicted with the leaves of the mandem (water lily) protruding from her back. The hatching technique used for the in-fill of the body is called rare.

Kunwinjku art is part of the oldest continuous art tradition in the world. Ancestors of today’s artists have been painting the rock walls of West Arnhem Land for tens of thousands of years. The traditional palette of white, red, yellow and black comes from the ochre that naturally occurs in the region, although contemporary artists sometimes choose to paint in acrylics as well. Kunwinjku artists famously paint using either the traditional rarrk hatching technique, or the more contemporary and complex cross hatching technique which has been adapted from ceremonial painting. These lines are painted using a manyilk, which is a piece of sedge grass shaved down until only a few fibres remain.
Artists at Injalak Art Centre have been painting on Arches 640gsm handmade watercolour paper since it was introduced as a medium by American art collecter John W. Kluge in 1990 when he commissioned a suite of paintings for the Kluge-Ruhe Collection at the University of Virginia, USA. It is archival quality and has an organic texture that mimics the natural surface of bark, making it an excellent alternative in West Arnhem Land where trees suitable for bark harvesting are much sparser than other areas of the Top End of Australia.
This painting needs to be framed. It’s also being sent direct from the artist at a remote art centre, Injalak Arts, in the top end. Please note there is only one mail plane a week that takes the artwork to Gunbalanya. The tracking information is then received a week later when the mail plane returns so often the paintings are delivered before we receive the tracking information. Please expect a slightly longer wait for this very special artwork to arrive.