Acrylic on paper

Signed certificate of authenticity.

The two headed crocodile in this painting is a kumoken (freshwater crocodile). The kumoken resides at a special waterhole called Namedkapjirridarrmanj in the Namokardabu/Namargardabu area near the Liverpool River. The kumoken has a special relationship with namarnkol (barramundi) and is the keeper of the Namarnkol Djang (dreaming). The kumoken nurture the fish and will release the good fish into the waterways to enter the system where they become a valuable food source and bininj (Aboriginal people) can hunt them. Barramundi which are not large or strong enough are released at a later stage. Some barramundi are released with an annointed white mark on their head. These are a special ceremonial fish and must be released if caught.

Kunwinjku art is part of the oldest continuous art tradition in the world. Ancestors of today’s artists have been painting the rock walls of West Arnhem Land for tens of thousands of years. The traditional palette of white, red, yellow and black comes from the ochre that naturally occurs in the region, although contemporary artists sometimes choose to paint in acrylics as well. Kunwinjku artists famously paint using either the traditional rarrk hatching technique, or the more contemporary and complex cross hatching technique which has been adapted from ceremonial painting. These lines are painted using a manyilk, which is a piece of sedge grass shaved down until only a few fibres remain.

Artists at Injalak Art Centre have been painting on Arches 640gsm handmade watercolour paper since it was introduced as a medium by American art collecter John W. Klunge in 1990 when he commissioned a suite of paintings for the Kluge-Ruhe Collection at the University of Virginia, USA. It is archival quality and has an organic texture that mimics the natural surface of bark, making it an excellent alternative in West Arnhem Land where trees suitable for bark harvesting are much sparser than other areas of the Top End of Australia.

This painting needs to be framed. It’s also being sent direct from the artist at a remote art centre, Injalak Arts, in the top end. Please note there is only one mail plane a week that takes the artwork to Gunbalanya. The tracking information is then received a week later when the mail plane returns so often the paintings are delivered before we receive the tracking information. Please expect a slightly longer wait for this very special artwork to arrive.