Jarrah DJARRALY Ed. 2 of 3

Giclée, Canvas (Requires Framing)

140cm (W) x 103cm (H) x 1cm (D)

Signed Certificate of Authenticity

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A$1,550

Arrives 3–5 Aug

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Indigenous Art Code

As a member of the Indigenous Art Code Bluethumb is proud to have established direct partnerships with some of Australia's most respected First Nation's artists and art centres.


Artwork Description

Knowledge flows like a timeless river, handed down from one generation to the next, whether through spoken or written words. Among this knowledge is the knowledge of the jarrah tree, a tree that stands as a revered beacon of wisdom, who holds a sacred place within the oral traditions of Noongar people.

The Jarrah tree embodies resilience, strength, and balance, seamlessly interconnected with surrounding flora and fauna. Jarrah's presence is a testament to nature's harmony, standing tall for hundreds of years, while its roots delve deep into a history that spans thousands.

The jarrah tree is a living archive with its rugged bark etched in the memories of the past while also whispering tales of beginnings to guarantee knowledge that inspires us all to respect our environment, protect our wildlife, and foster kindness among one another.

Artist Bio

Kaya!

My name is Natalie Clark (Jackson)

I was born in the coastal town of Undalup (Busselton), which is situated in the Southwest of Western Australia. I am from the Wardandi/Bibbulman Noongar Nation on my mother's side and the Ballardong Noongar Nation on my father's side. My totem spirit animal, is the Blue-tongue Lizard, known in my local dialect as Yoorn and my Artist-name Djarliny translates from Noongar to English as flame.

Artistic Training

I am a self-taught artist. I use painting as a medium for healing, expression, and connection to country and self. The canvas is my sanctuary — a space where my emotions flow freely and my palette is a reflection of my own essence, with colours, chosen not just for their aesthetic appeal but for their capacity to convey feelings, memories, and the deep connection to people, places and land.

Artist Statement

At the core of my work is an exploration of identity, both personal and cultural. Through vibrant colours and expressive forms, I examine what it means to be a Noongar person in contemporary society. My artwork is a celebration of cultural heritage and personal growth, reflecting on the multiple layers that shape who we are.

Painting fuels my ability to shatter my own limits, to discover, to innovate and to grasp numerous intricate situations and strive to find solace in overcoming them. Through Art, I am enabled to release my voice, to broaden my horizons, to unravel the enigmas within and around me as painting has offered me an instrument to use colour to conquer my emotions and explore connections.

By presenting complex emotional scopes, I hope to encourage viewers to engage with the world from a more empathetic perspective and hope that my art serves as a mirror, reflecting the multifaceted nature of human experience. Through a dedication to exploring themes of identity, spirituality, perception, and connection, I hope to transcend personal narrative to engage with broader societal issues with each piece inviting reflection and dialogue, showcasing my belief in the power of art as a catalyst for healing and understanding.

I remain committed to fostering connections within the community and celebrating the diverse tapestry of human experience.

Commissions

Djarliny's studio is in DUNSBOROUGH, WESTERN AUSTRALIA