Untitled 3, Brumby Ed. 1 of 10

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A$1,000

Artwork Details

Medium Photograph, Paper (Requires Framing)
Dimensions 100cm (W) x 66.7cm (H) x 0.2cm (D)
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Monday, Jun 15 - Wednesday, Jun 17

Artwork Description

Limited Edition of 10 + 2AP

BRUMBY - ARTIST STATEMENT

The last light of the day slowly fades as the sun disappears over the Mount Kosciuszko mountain range.I spot a nearby mob and silently ask their permission to approach. I explain that they are in a catchment zone, that they will likely be killed if they can’t be rehomed and that I would like to tell their story in photographs. A muscular, beautiful 15-hands mare allows me to come closer and lowers her head.

For 150 years the wild Brumby has called the Australian landscape home. First introduced by the European settler, the Brumby has been made famous by writers such as Elyne Mitchell and Banjo Paterson, warranting an important place in our national cultural heritage.

Today, Australia has one of the largest population of wild horses in the world, estimated at more than 400,000 with over 10,000 in the Australian Alps. In these numbers they are damaging fragile alpine ecosystems and native species. Both the NSW and the Victorian Government have released action plans and both reports propose more severe measures to rein in these numbers.

Their management is a highly contentious issue, generating emotionally charged debate from both conservationists and activists as the Brumby is both an introduced species and a national icon. The lack of public support is no surprise given the confusion regarding population numbers and paucity of rigorous research.

Both governments have committed to trapping the Brumbies before they are to be rehomed or to humanely kill them. Volunteer organisations across Australia are working to take on as many brumbies as possible as their temperaments and versatility are ideal as domestic mounts. The Australian Brumby Challenge highlights their trainability: in just 150 days passively trapped wild Brumbies are partnered with trainers and transformed into working mounts to be shown and auctioned at the Australian Equitana event.

Currently 70% of Brumbies trapped and removed from our Alpine regions will be killed, this is due to a lack of demand for this incredibly versatile and trainable animal. The organisations responsible for training and rehoming these wild brumbies are in need of support and suitable homes are also in dire need. For further information, refer to the following organisations and information:


Victorian Brumby Association, Australian Brumby Alliance , Coffin Bay Brumby Org , Hunter Valley Brumby Association , Australian Brumby Challenge

10% of print profits will be donated to the Australian Brumby Alliance Inc.


Artist Bio

Ebony Finck is an emerging photo media artist whose practice explores the fragility of human existence, via the landscape and human form. Her photographs depict the transient nature of life and our psychological space. Ebony completed her photographic education in 2015 at Photography Studies College Melbourne, and has since exhibited at the 2017 Copenhagen Photo Festival, Censored Exhibition; the National Portrait Gallery London for the 2016 Taylor Wessing Portrait Prize; the 2016 Hyderabad India photo festival with a solo presentation; was winner of the 2015 Life Framer “the human body” award; shortlisted for the Lensculture, Head On and IRIS Award Portrait Prizes; and awarded second prize for the Fortyfivedownstairs, Melbourne emerging artist award. Ebony divides her time between her own practice and commercial projects in Australia and the USA.

Commissions

Ebony's studio is in Brunswick