Hera: Ancient Greece, from the Museum series, #2 Ed. 4 of 50

Photograph, Paper (Requires Framing)

70cm (W) x 105cm (H) x 1cm (D)

Signed Certificate of Authenticity

Complete Your Piece With A Wood Frame

A$3,970

Arrives 28–30 Jul

Free Shipping Australia Wide · Free returns

Bluethumb Art Advisory Free Available now
Rachel
Rachel
Senior Art Advisor

Unsure about this piece? Get free advice on sizing, framing, and how it'll work in your space.

1800 987 291

Artwork Description

Hera: Ancient Greece, from the Museum series, #2/3 (the second piece of the triptych)

The art of Ancient Greece stands out among that of other ancient cultures for its development of naturalistic but idealized depictions of the human body, in which largely nude figures were generally the focus of innovation. From about 500 BC, statues began to depict real people and heroes of Greek mythology.
Hera is the goddess of women, marriage, family, and childbirth in ancient Greek religion and myth, one of the 12 Olympians and the sister-wife of Zeus.
Hera's symbols were the diadem, the sceptre, and the pomegranate - a symbol of fertility. In some Greek dialects, the pomegranate was called rhoa, thought to be connected with the name of the earth goddess Rhea, mother of Hera.

Artist Bio

Olena LEVKIVSKA is an accomplished fine art and fashion photographer and painter.

Throughout her career, Olena has received numerous awards and recognition for her work.
In 2023 and 2021 she was a finalist in Bluethumb Art Prize.
In 2020, she was featured in "Leaders in Contemporary Art," a documentation highlighting leading contemporary artists and their exceptional artwork.
In 2018, she was honoured as one of the "Top 30 Photographers of the Year" in Australia, a remarkable achievement in the competitive field of photography.

Her work has also been featured in a variety of magazines on an international level, including renowned publications like Vogue and L'Officiel.

Olena’s paintings are an example of her own developed artistic style, which can be described as a contemporary fusion of Divisionism and Neo-Impressionism. In her textural art, using oil as her medium, often gold or silver leaves or natural materials, she is able to enhance the sensory experience and add an element of luxuriousness to her pieces.

Olena's artworks are in private collections in Europe, the USA, Canada, Australia and New Zealand.

Commissions

Olena's studio is in Sydney, Australia