Harbour Framework Ed. 1 of 1

A textured abstract cityscape built up in palette-knife blues, teals and cold whites, cut through by the black geometry of a steel truss bridge.
Heavy impasto and scraped-back layers give the surface a weathered, industrial feel — part harbour, part memory. A moody, contemporary piece for a space that wants atmosphere over decoration.
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I make surrealist works that pull the human figure through myth, anatomy, and dream. Genesis and creation, flesh formed from formless matter, the body as both subject and symbol — these are the threads I keep returning to, filtered through Greek and biblical myth and the visual grammar of Dalí, Magritte and the Symbolists.
My recent series treat the body as porcelain: the Delft Blue Anatomical works fuse the cobalt-and-white elegance of 17th-century Dutch Delftware with anatomical precision, a deliberate tension between fragility and structure. Other series — Soulscape, Ocean Colossus, Ex Nihilo — move the same preoccupations into landscapes of the mind, where the vastness of the ocean meets the confines of the skull.
I work primarily in digital media, printed on wrap-around canvas, in strictly limited editions. Every piece is a visual narrative — a fleeting moment or an elusive emotion, held still. Based in Australia. Currently accepting commissions.
Recently exhibited In New Yorks Times Square