To what end

A contemporary take on pop art, this work investigates beauty standards by exploring the effects of procedures people will undergo to find a form of accepted beauty, and how often one is willing to obfuscate and abstract the self to achieve this.

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Ellen May Anderson is a Meanjin based painter whose practice is focused on figuration and portraiture, through the lens of internet culture and the resulting social influences. She explores issues of identity, feminism and self expression through use of collaged imagery, appropriation of pop culture and serialisation.