Tidepool Reflection

“Tidepool Reflection” captures the quiet rhythm of nature’s edge—the space where sky reflections meet seabed textures. In this work, translucent aqua fields drift across a horizonless plane, interrupted by flickers of mossy green, seaweed scribbles, and hints of chartreuse and periwinkle. These layered gestures, both deliberate and instinctive, echo tidal marks left behind after water recedes.

The painting invites stillness and observation. Tiny drawn elements—part doodle, part map—suggest the presence of things half-remembered: a shell imprint, a shoreline fence, the geometry of a rock pool at dusk. Crayon marks and scrawls float like sea foam caught in eddies, playful yet anchored in the larger, contemplative composition.

There is no fixed perspective—just the impression of floating between above and below, memory and moment. “Tidepool Reflection” is not a landscape in the traditional sense, but a space of internal geography, where form dissolves into feeling and colour hums with the subtle pulse of ebb and flow.

This piece would suit a calm, light-filled interior—such as a coastal living room, a reading nook, or a minimalist bedroom—where it can complement natural textures and bring a sense of openness, breath, and gentle movement to the space. It pairs beautifully with timber, linen, and soft neutral tones, offering a moment of pause and quiet intrigue.

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Elwood Moore, Painter, Melbourne.

Some of my earliest and fondest memories are of lying on the classroom floor at preschool during story time, completely absorbed as our teacher, Ms Judy, read aloud tales by Enid Blyton, E.B. White, and Roald Dahl. My mind would drift out the window, journeying to enchanted woods, talking barns, and chocolate factories. These moments didn’t just entertain me—they sparked a lifelong passion for the magic of visual expression.

I kept little handmade storybooks—those fashioned from small stacks of paper and card, folded and stapled through the crease to form a spine—into which I poured my imagination throughout primary and high school. Later, I pursued university studies and forged a career, first in graphic design and then in architecture.

While these paths honed my understanding of colour, structure and form, painting remained my constant. It’s the medium where I feel most at home, allowing me to explore ideas of space, memory, and form with immediacy and tactility. My work spans abstract, still life, landscape, and portraiture, often built up through layers of brushwork and palette knife, embracing both control and chance.

Living and working in Australia for over 30 years, I’m fascinated by our cultural landscape—the interplay between natural and built environments, and the lingering influences of our complex heritage. These themes subtly inform my work, inviting viewers to find their own narratives within the textures and forms.

If a piece resonates with you, stirs a memory, or evokes a feeling you can’t quite name, then we’ve connected—and that’s the essence of why I paint.

Thank you for connecting,
Elwood

Education + Qualifications

Bachelor Architecture [1st Class Honours ], RMIT University 2001
[including 2 specialist electives in Fine Art Painting]

Bachelor Arts Graphic Design [Distinction], Swinburne University 1991

Diploma Arts Graphic Design, Swinburne University,1990

TOP, Art & Design, Box Hill Tafe 1986
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Professional History
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2015 – present > Full time Artist, Painting

2011 – 2015 > Design Director, MWD, residential building design

2001 – 2011 > Creative Director, Millimetre Design & Branding

1994 – 2001 > Senior Designer, MYD Graphic Design

1992 – 1993 > Graphic Designer, FHA Design

1991 – 1992 > Junior Graphic Designer, RBD Design

Exhibitions

2024 > Open Studios Exhibition, St Hellier Gallery, CoCraft, Melbourne
2023 > Bluethumb Awards Finalist Exhibition, Melbourne
2018 > Solo Exhibition, “Cloud Games”, Studio B, Prahran, Melbourne

2023 > Bluethumb Awards Finalist