Painting by Eric Sesto 3 Artworks Sold

The Persistence of Going Straight Ahead

Acrylic, Canvas, Ready to hang

61cm (W) x 91cm (H) x 4cm (D)

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Artwork Description

The "Persistence of Going Straight Ahead" (named after Dali's icon "The Persistence of Memory", of which the painting makes a small appropriation) is a painting about never giving up. The image of a car in the middle of the Australian desert was initially inspired by a chance moment during a road trip the artist undertook. Driving days through the desert, the artist decided to stop the car and go for a walk. Looking back at the car with its door still open as if inviting in the viewer, the artist found a perfect symbol for life's journey. In life we get sidetracked, we get lost, we head backwards, but the car on a single-directed road through the desert symbolises the perseverance of pushing onwards with the true purpose of one's life journey. Whereas Dali symbolises the endlessness of time and memory with his melting clocks, Sesto incorporates the image to symbolise the perceived endlessness of the journey. Two circular abstractions in the piece centre on "time" and the "horizon".

Artist Bio

Eric Sesto (1995) is self-taught artist and muralist working dominantly in painting and drawing.

Sesto has painted public murals in six countries across Oceania, Central America and South America. Most notably, Sesto’s mural in Guayaquil, Ecuador became permanently conserved by the city in 2020.

Sesto embarked on two painting tours of Central and South America in 2017 and 2018 respectively. As a result, his 2018 exhibition at Neon Parlour “Planet Paradise” bore paintings that were bursting with vitality and colour. The improvised “free-flow” of this body took direct references the murals he painted and the photographs he captured of the region.

The artist’s 2019 body developed dramatically into a unique palette of colour dominated by hyper-red. Combining figurative portraiture with intense colour-field abstractions, Sesto became fascinated with the telecommunication network. The “One The Phone” series embodies the changing state of intimacy in our globalised world; and portrays an instance of people becoming hyper-emotional with technology.

The artist does not believe in art that is intended to push particular agendas or perspectives. The artist is instead intrigued by the ambiguity of imagery and the power of symbology. The work channels how intense visuals are able to be in their rawest state without the assistance of language to endow them power. Rather than a message, Sesto sees each painting as “an emotional cocktail of things we feel everyday”.

Sesto has a Bachelor of Architectural Design obtained from The University of Queensland, graduating in 2015.

Commissions

Eric's studio is in Melbourne, Australia