This piece came together quite organically. I wasn’t trying to create something that was perfectly balanced or predictable — I wanted to let the layers develop and see where they would take me.
I started with soft, almost washed-out neutrals, then gradually built up the texture. The little raised white marks became an important part of the work, almost like tiny moments of light sitting across the surface.
Then came the darker earthy tones and touches of gold. I love the contrast between the raw, weathered feeling of the darker areas and the softness surrounding them. The gold isn’t there to dominate — it catches you as you move past the piece, almost revealing itself.