Two fragments of a female figure occupy a psychological interior structured by large geometric planes of muted green, tan and smoky blue. A charged connection unfolds between the back of a torso and an outstretched hand reaching towards a glimpse of thigh and crossed legs, recalling the gesture in Michelangelo’s The Creation of Adam. Yet here the moment of contact has already taken place. The composition holds a memory: different views of a single remembered presence, incomplete but still vivid. It is an acrylic on canvas, finished with white edges and a gloss varnish, signed and ready to hang.