Brackette is a large colourful abstract artwork in my Reform series. I have has used bold linear shapes and a careful balance of colour and structure. The end result is a striking, yet calming artwork.
The Reform series is based on architectural design from various locations around my home in Sydney Australia. I compose these works in various dimensions where some sections of the painting may be topographical, while other sections may be enhanced with minor details. The subject matter is not necessary to appreciate the artworks, which are large colour field abstract structural designs. I attempt to evoke a level of contradiction in the reform series where the artwork may initially appear “neat” yet due to the painterly manner of paint application, they are not necessarily neat. The paintings in the series may also appear as simple blocks of colour. Yet, upon closer examination, the viewer will see underpainting details, and fine lines and redactions, which add complexity.
Brackette presents a level of industrial design and feel. Many of my subjects in the reform series are older buildings such as industrial buildings, garages, and workshops. There is something authentic and real about these older buildings, and that level of evolution and devolution is relayed in my works. I draw inspiration artistically from renowned artists such as Diebenkorn, Rothko, and Mondrian.
The painting has been continued over onto the sides which adds another dimension to the artwork, and also means it does not need to be framed. I have signed the painting and finished it off with several layers of matte varnish coat to highlight the colours, and protect the painting. Brackette has been painted on artist grade 92cm x 127cm Victorian ash stretchers on Belle Arti 35u linen canvas.