The Observer

22" × 30" / 56 × 76cm
Mixed media & oil on 300gsm 100% cotton rag paper
Natural deckled edges
Unframed
Free shipping Australia-wide
Certificate of Authenticity included

“The Observer”

Is about stepping back, getting curious and paying attention to what’s happening within and around you.

We can spend so much time comparing ourselves and following the crowd that we forget to notice our own path.

Your quirks, instincts, patterns and passions are what make you, you.

Sometimes you just need to stop, observe, trust yourself and go your own way.

No fitting in. Just you.

ORIGINAL ARTWORK DETAILS

Created using mixed media and oil on 300gsm 100% cotton rag paper with natural deckled edges.

This is an unframed original artwork, allowing you to choose framing that suits your own space and style.

Signed by Hanna Edwards and supplied with a Certificate of Authenticity.

Your original artwork will be carefully packaged for safe delivery.

Images shown are for representational purposes. Colours may vary slightly depending on screen settings.

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Hanna Edwards is an Australian mixed media artist based in Western Australia, originally from country Victoria near the Grampians National Park. She returned seriously to art as an adult and later studied with The Milan Art Institute, developing the technical skills that underpin her full-time practice.
Hanna creates expressive representational works in mixed media and oil, often featuring animals, birds and the human figure. Her paintings combine carefully rendered imagery with layered colour, texture and selective expressive marks. Although the finished work can feel energetic, her process is slow, structured and methodical. She generally begins with an idea and a reference, builds texture into the surface, and develops the image deliberately through layers before introducing marks, drips, scratches or other elements where they serve the work.
For Hanna, creative freedom isn't about having no plan. It's the freedom to make her own choices: to paint what interests her, use the materials that suit the work, change direction when needed and develop without forcing herself into a single style or subject.
That philosophy sits behind both her work and her wider creative practice: Unfenced. Untamed. Free.