Venice Pier Ed. 1 of 10

When digital photography arrived I fell in love with an almost opposite process - this was taken using a plastic Holga camera with the lens removed and replaced with a sheet of metal with a tiny pinhole. Using high speed film, I became able to take very abstract images characterised almost entirely by their texture and attention to form.

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A photographer for thirty years, my commercial life has often intersected with my artistic life, from early work for The Sydney Theatre Company to more recent efforts for The Sydney Dance Company and The Australian Ballet. Whereas most clients require a clarity of meaning in their imagery my personal work tends more to ambiguity and mystery. I have lived in London, New Orleans and most recently Los Angeles but am now back in my hometown of Sydney.