Drawing by Ijlal Olguner 3 Artworks Sold

Run

Charcoal, Paper, Framed by Artist

57.2cm (W) x 78cm (H) x 2.5cm (D)

Certificate of Authenticity Included

Framed by Artist

A$1,470

Arrives 3–5 Aug

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Artwork Description

Run
Charcoal and soft pastel on paper
Ijlal Olguner 2024

A drawing of a running dog.
’I wanted to capture the intensity and almost machine-like body of a dog in movement’

This piece is part of the ‘Move’ series of charcoal drawings which explores animals, sea creatures, and insects through expressive mark-making and movement. The works celebrate the spirit, energy, and presence of living creatures — both wild and domestic — whether solitary or existing within dense, intense communities.
Ijlal Olguner

Please note: This artwork is framed behind glass.

Artist Bio

Ijlal Olguner is a visual artist specialising in expressive, figurative drawing and painting, with a practice driven by social, political, and psychological engagement. Born in Turkey and raised in Australia, her multicultural background informs a perspective that intertwines personal narrative with global issues.
Ijlal's work explores the human and animal condition, delving into the consequences of overconsumption, environmental degradation, war, and systemic conflict. Using materials such as paint, charcoal, pastel, pencil, and ink, she creates layered, textured surfaces that mirror the complexity and instability of the world we inhabit. Her process embraces both intuition and intention, allowing spontaneous mark-making to coexist with deliberate structure, resulting in works that feel raw, immediate, and emotionally resonant.
At the centre of her practice is figuration as a means to investigate internal and external states of being. These figures become vessels for exploring psychological tension, emotional vulnerability, and the contradictions that define contemporary existence: beauty, brutality, hope, despair, connection and alienation.
Ijlal aims to evoke a visceral response in the viewer, encouraging reflection on the fragile and often violent intersections between humanity, nature, and the systems we inhabit. Whether quiet or confrontational, her work seeks to bear witness to the complexities of our shared condition.

Commissions

Ijlal's studio is in On the top of page