Variation 1 What We Carry

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Framed by Artist

A$1,930

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Artwork Details

Medium Pastel, Paper, Framed by Artist
Dimensions 57.2cm (W) x 78cm (H) x 2.5cm (D)
Review Stars 21,257 Customer Reviews
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Artwork Description

Variation 1 - What We Carry
Oil Pastel on Paper
Ijlal Olguner 2020

Variation 1 stages a quiet collision. A youth holds a yellow “must-have” handbag, groceries, and an assault rifle—desire, necessity, and violence compressed into the same fragile grip.
The blurred face and restless surface suggest a 'self' that is worn down by repetition. The everyday and the extreme collapse into one—this is, and has long been, the world we live in.
Fashion returns in cycles—seasonal, seductive, endlessly renewed. So too does violence: receding, reappearing, reconfigured yet unchanged.
Here, consumption and conflict mirror one another—seeking to control, to glorify, and to profit, while eroding and degrading both human and animal life and the environments they depend on. The figure holds these contradictions without resolution, caught in a world that continually repeats itself.

This piece is part of the ‘Fashion and War’ series of works which looks at the recurring themes in fashion and the recurring violence that happens in the world we live in.
Ijlal Olguner

Please note: This artwork is framed behind glass.

Artist Bio

Ijlal Olguner is a visual artist specialising in expressive, figurative drawing and painting, with a practice driven by social, political, and psychological engagement. Born in Turkey and raised in Australia, her multicultural background informs a perspective that intertwines personal narrative with global issues.
Ijlal's work explores the human and animal condition, delving into the consequences of overconsumption, environmental degradation, war, and systemic conflict. Using materials such as paint, charcoal, pastel, pencil, and ink, she creates layered, textured surfaces that mirror the complexity and instability of the world we inhabit. Her process embraces both intuition and intention, allowing spontaneous mark-making to coexist with deliberate structure, resulting in works that feel raw, immediate, and emotionally resonant.
At the centre of her practice is figuration as a means to investigate internal and external states of being. These figures become vessels for exploring psychological tension, emotional vulnerability, and the contradictions that define contemporary existence: beauty, brutality, hope, despair, connection and alienation.
Ijlal aims to evoke a visceral response in the viewer, encouraging reflection on the fragile and often violent intersections between humanity, nature, and the systems we inhabit. Whether quiet or confrontational, her work seeks to bear witness to the complexities of our shared condition.

Commissions

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