My style has evolved over a long period of time out of a long journey of discovery. For my art to be of value, it has to reflect both the world Iâm living in and my own self. A seminal moment of when my style began occurred while I was at art school. Our painting teacher told us we had to âchooseâ in which to paint in. Upon being set this assignment I decided I wasnât going to be restricted to just one style. Why should I? Picasso never had just one style and it seemed to work for him just fine. I set about completing this project in a multitude of styles. I thought my idea was brilliant but my art teacher hated. âOne style I saidâ he yelled âYou can only have one styleâ he blasted. He made it very clear that my idea of upping the ante was not his cup of tea! My art reached a peak in my painting where I employ both a number of styles as well as techniques. I combine 3D realism with painterly abstract brushwork, sharp linear geometrics, perspective, naĂŻve, spiritual as well as anything else that took my fancy. Even within the abstract elements I combined as many techniques that I could imagine. This ranges from hurried dry brushstrokes to luxuriant wet into wet techniques to Pollock like drips and splatters, even brash throwing of paint. I began to revel in this variety of techniques and was using a variety of tools to both apply and take off paint. This comprised of (but not limited to) using sponges, cloth, palette knives, the end of brushes and sticks, fingers and other body parts. There was no technique or application which I ruled out.My sources of inspiration are also wide and varied. Iâve always had a natural attraction to both patterns in nature like chemical compositions and mathematical like patterns as well as man-made and computer generated patterns like you might find in artists like Sol Le Wit or Agnes Martin. I also love the kitsch and pop generated art like Warhol, Rauschenberg, Howard Arkley and especially Basquiat.My art reached an exciting phase when I discovered collage. Not only could I apply any technique, style or image, but I could also put on physical materials and images. I started conservatively with maps, cardboard, silver foil, and matchsticks, and then moved on to, well just about anything. I utilise toys, pegs, mirrors, forks, money, coral, even a few contraband or just plain naughty objects or materials.