Songlines

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Framed by Artist

A$2,230

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Artwork Details

Medium Acrylic, Canvas, Framed by Artist
Dimensions 50cm (W) x 65cm (H) x 4cm (D)
Review Stars 21,272 Customer Reviews

Indigenous Art Code

As a member of the Indigenous Art Code Bluethumb is proud to have established direct partnerships with some of Australia's most respected First Nation's artists and art centres.


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Artwork Description

A songline, also called dreaming track, is one of the paths across the land (or sometimes the sky) within the animist belief system of The First Nations People of Australia, which mark the route followed by localised "creator-beings" during the Dreaming. The paths of the songlines are recorded in traditional song cycles, stories, dance, and art, and are often the basis of ceremonies. They are a vital part of Aboriginal culture, connecting people to their land.

Animals were created in the Dreaming and also played a part in creation of the lands and heavenly bodies. Songlines connect places and Creation events, and the ceremonies associated with those places. Oral history about places and the journeys are carried in song cycles, and each Aboriginal person has obligations to their birthplace. The songs become the basis of the ceremonies that are enacted in those specific places along the Songlines.

A songline has been called a "dreaming track", as it marks a route across the land or sky followed by one of the creator-beings or ancestors in the Dreaming.

Tradition Aboriginals are able to navigate across the land by repeating the words of the song, which describe the location of landmarks, waterholes, and other natural phenomena. In some cases, the paths of the creator-beings are said to be evident from their marks on the land, such as large depressions in the land which are said to be their footprints.

By singing the songs in the appropriate sequence, Aboriginal people could navigate vast distances, often travelling through the deserts of Australia's interior. The continent of Australia contains an extensive system of songlines, some of which are of a few kilometres, whilst others traverse hundreds of kilometres through lands of many different Aboriginal peoples โ€” peoples who may speak markedly different languages and have different cultural traditions.

Since a songline can span the lands of several different language groups, different parts of the song are said to be in those different languages. Languages are not a barrier because the melodic contour of the song describes the nature of the land over which the song passes. The rhythm is what is crucial to understanding the song. Listening to the song of the land is the same as walking on this songline and observing the land.

Neighbouring groups are connected because the song cycles criss-cross all over the continent. All Aboriginal groups traditionally share beliefs in the ancestors and related laws; people from different groups interacted with each other based on their obligations along the songlines.

In some cases, a songline has a particular direction, and walking the wrong way along a songline may be a sacrilegious act, (like climbing Uluru) Traditional Aboriginal people regard all land as sacred, and the songs must be continually sung to keep the land "alive".

Artist Bio

I was born in Maitland, a small NSW country town in 1964. I enjoyed an idyllic life on our small dairy farm with my parents, two brothers and grandparents. An idyllic existence for a seven-year-old till the day my grandfather rushed back from the lucerne paddock with the news that my dad had had an accident while driving the tractor and had been killed. That day my life changed forever.

Many years later I learned the family secret....I am Aboriginal. My grandfather and father had always been dark, but I thought it was because of all the hard work in the sun. I'd always had the urge to paint so one day I just let it flow. The results surprised even me, Friends began asking if I'd sell some of my work and it all went from there. I can't paint on demand though. When the feeling comes I reach for a canvas and away I go. I never know what I'm going to paint, it just comes as it comes. Painting is a very personal thing.

I am a Kamilaroi woman and a member of the Worimi Aboriginal Land Council.

Commissions

Jennifer's studio is in Hunter Valley NSW