End of the Bridge and view of Black Mountain

Oil, Canvas, Framed by Artist

52cm (W) x 42cm (H) x 4cm (D)

Certificate of Authenticity Included
A$760 15% Off Artwork

Framed by Artist

A$646
A$760 15% Off Artwork

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Artwork Description

I painted this on the last day of the Capital Plein Air Festival this year, and it was amazing having all the public passing by on their lake walk, engaging with us and cheering us on. This painting was done at great speed as I had to return it by midday, so I think there is a real freshness and immediacy which kind of captured the languorous quality of the weekend morning and the optimism of the day.
Making this one, I loved how the deep greens and blues of the bridge contrasted with the bright sunlit highlights and the sparkling lake water. I also liked the serendipitous appearance of the rowing crew, which helped to create a dynamic shape with the sinuous arch of the bridge, so that was a lucky moment that highlighted the playful relaxing character of the Saturday morning on the Lake Burley Griffin lakeside, which in some ways reminded me of French lakeside paintings by painters like Sisley and Monet, but translated to an Australian Canberra scene.

Artist Bio

Recently I joined a Plein Air group of friends that goes out once a week to local areas of bush around Canberra and that's lead to a return to traditional landscape skills. I'm posting the results of t
my plein air outings and experiments, from cheaper quick oil studies to larger more expensive works that are fully completed. I love painting in the outdoors because there's something that happens when you're painting outside that captures the atmosphere and qualities of light that just doesn't occur in the studio or using photographs.

I usually paint scenes to which I have an emotional response, whether it's a still-life of a domestic setting that tells a story of that house, or a street scene of old Sydney suburbs where I grew up; but in every case I'm choose scenes that have some emotional resonance for me. in currently doing a series about Sydney urban scenes, where I love painting the special light and architecture of Sydney and the feeling of the harbour city that I miss so much. I really love the European Impressionists and like to try to see and paint Sydney with a feeling of their sensibilities and techniques, like applying the quiet harmonies of Sisley to Paddington houses or Monet's prismatic colour and love of sunshine and different qualities of light to Sydney harbour scenes.

I also love painting scenes of my household, so I will be doing a series of paintings of Interiors like scenes from bathrooms or our dining rooms, where I paint my family doing small things like reading or relaxing or interacting with each other. I really love the Intimist painters and really enjoy painting these kind of 'mis-en-scenes' of regular family life like little dramas or painting still-lives of things like stuff strewn in a table-tops or an array of ornaments or even a meal being prepared on a kitchen bench that are just snippets of the haphazard moments of daily life., where these ordinary objects are beautiful as with Matisse's bedrooms and vases and table-tops . With my paintings of these kind of domestic snapshots, I'm really inspired by the ideas of the Vuillard and Bonnard that real life happens mostly in doors and these domestic scenes can show something greater of moments of beauty or grace that happen within mundane places and routines, and as does another favourite inspiration Fairfield Porter does in his painting of family and friends, convey that life lovingly and the small things that make it up affectionately.

Commissions

Jenny's studio is in Sydney and Canberra