Fitzgerald's Dressing Gown. Oil Painting. Nude Oil Painting. by Jenny Davis

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Capturing the essence of past eras in my paintings. In this piece, a mysterious woman sits wrapped in a dressing gown, her face shrouded in mystery. To enhance a profound sense of antiquity and the passage of time, I use layers of transparent oil glazes to give a deep, aged feeling to the artwork. I want viewers to feel like they're looking at a portrait that was painted centuries ago,. The dark, rich tones add to the overall atmosphere, transporting us to a different time and place. It's like stepping into a time capsule through my art

Capturing the essence of past eras in my paintings. In this piece, a mysterious woman sits wrapped in a dressing gown, her face shrouded in mystery. To enhance a profound sense of antiquity and the passage of time, I use layers of transparent oil glazes to give a deep, aged feeling to the artwork. I want viewers to feel like they're looking at a portrait that was painted centuries ago,. The dark, rich tones add to the overall atmosphere, transporting us to a different time and place. It's like stepping into a time capsule through my art

Capturing the essence of past eras in my paintings. In this piece, a mysterious woman sits wrapped in a dressing gown, her face shrouded in mystery. To enhance a profound sense of antiquity and the passage of time, I use layers of transparent oil glazes to give a deep, aged feeling to the artwork. I want viewers to feel like they're looking at a portrait that was painted centuries ago,. The dark, rich tones add to the overall atmosphere, transporting us to a different time and place. It's like stepping into a time capsule through my art

Capturing the essence of past eras in my paintings. In this piece, a mysterious woman sits wrapped in a dressing gown, her face shrouded in mystery. To enhance a profound sense of antiquity and the passage of time, I use layers of transparent oil glazes to give a deep, aged feeling to the artwork. I want viewers to feel like they're looking at a portrait that was painted centuries ago,. The dark, rich tones add to the overall atmosphere, transporting us to a different time and place. It's like stepping into a time capsule through my art

Capturing the essence of past eras in my paintings. In this piece, a mysterious woman sits wrapped in a dressing gown, her face shrouded in mystery. To enhance a profound sense of antiquity and the passage of time, I use layers of transparent oil glazes to give a deep, aged feeling to the artwork. I want viewers to feel like they're looking at a portrait that was painted centuries ago,. The dark, rich tones add to the overall atmosphere, transporting us to a different time and place. It's like stepping into a time capsule through my art

Capturing the essence of past eras in my paintings. In this piece, a mysterious woman sits wrapped in a dressing gown, her face shrouded in mystery. To enhance a profound sense of antiquity and the passage of time, I use layers of transparent oil glazes to give a deep, aged feeling to the artwork. I want viewers to feel like they're looking at a portrait that was painted centuries ago,. The dark, rich tones add to the overall atmosphere, transporting us to a different time and place. It's like stepping into a time capsule through my art

Capturing the essence of past eras in my paintings. In this piece, a mysterious woman sits wrapped in a dressing gown, her face shrouded in mystery. To enhance a profound sense of antiquity and the passage of time, I use layers of transparent oil glazes to give a deep, aged feeling to the artwork. I want viewers to feel like they're looking at a portrait that was painted centuries ago,. The dark, rich tones add to the overall atmosphere, transporting us to a different time and place. It's like stepping into a time capsule through my art

Capturing the essence of past eras in my paintings. In this piece, a mysterious woman sits wrapped in a dressing gown, her face shrouded in mystery. To enhance a profound sense of antiquity and the passage of time, I use layers of transparent oil glazes to give a deep, aged feeling to the artwork. I want viewers to feel like they're looking at a portrait that was painted centuries ago,. The dark, rich tones add to the overall atmosphere, transporting us to a different time and place. It's like stepping into a time capsule through my art

Jenny Davis
224 artworks

Melbourne, Victoria. Australia., Australia

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Artwork Description

Oil on canvas, stretched and ready to hang.

Signed on the back.

About
Fitzgerald's Dressing Gown.
Capturing the essence of past eras in my paintings. In this piece, a mysterious woman sits wrapped in a dressing gown, her face shrouded in mystery. To enhance a profound sense of antiquity and the passage of time, I use layers of transparent oil glazes to give a deep, aged feeling to the artwork. I want viewers to feel like they're looking at a portrait that was painted centuries ago,. The dark, rich tones add to the overall atmosphere, transporting us to a different time and place. It's like stepping into a time capsule through my art

Subject
An older artwork I painted 1999-2001. Links to, Scott Fitzgerald, an American short-story writer and novelist famous for his depictions of the Jazz Age (the 1920s), his most brilliant novel being The Great Gatsby (1925).
Was this, the woman, who triggered off Fitzgerald's main character in the story, in 1925, The Great Gatsby?
Is it the previously, innocent and naive, Daisy the morning after?

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Medium

Oil paint, oil glazes on hand stretched canvas. Ready to hang. ( Framing will enhance the artwork)

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Stretched and ready to hang

This artwork is currently stretched and ready to hang.

Jenny Davis
224 artworks

Melbourne, Victoria. Australia., Australia

Ask Jenny a question

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All art by Jenny Davis

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Layers ... worn, torn, ripped, creased, bent, scraped, sanded, stapled, glued, painted, stained and inked. Each scrap of vintage paper just as precious and and poignant as the other. In making this piece, I immersed myself in a process of creative abandonment, combining splashes of red with the mysterious shadows of black ink. I used acrylic paint and ink, letting each stain tell a part of a story veiled beneath the surface, reminiscent of vintage aesthetics.

Sitting beside the Seine river in Asnieres, Paris, France. The creation of order out of chaos and the eventual return to randomness.
The antique collage elements, create a textural play with ink blots and stains that tell a story. It's an abstract embrace of vintage aesthetics that speaks of time’s touch on memories. A contemplative piece that invites the viewer to explore the layers of emotion and history threaded within its fibers.

A series of collage's, recycling, antique textiles from 1800's , rusted fabrics, found objects and rusted wire fence droppers. Hand stitching & free drawing are some of the techniques used to create unique artworks on vintage book covers. Ready to Hang. In my creation, I explored the raw textures and emotions through the interplay of collage, pen, and ink on paper. The cloth elements add a tactile depth. The abstract composition and art brut influences reflect a vintage sensibility. It's an emotive piece that vibrates with the essence of time and memory, perfect for bringing a powerful conversation into any space.

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