Jenny Davis
224 artworks

Melbourne, Victoria. Australia., Australia
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Artwork Description

Acrylic on canvas, stretched and ready to hang.

Signed certificate of authenticity.

Inspiration
A celebration to animals...Mapping and playing in the Cimetière des Chiens et Autres Animaux Domestiques. Opened in 1899 its a cemetery of dogs and cats and other domestic animals. Some of the cemetery's residents are famous such as Rin Tin Tin .

The plots and plaques are just so lovingly decorated. My daughter and I like to spend time with the stray cats and dogs who wander in and out of the cemetery .The kind staff feed and shelter any stray animal by scattering little semi- enclosed boxes around the cemetery.

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Medium

Acrylic paint on gallery wrapped canvas .12x12(30x30cm) Ready to hang with D-rings and wire attached. Framing available

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Stretched and ready to hang

This artwork is currently stretched and ready to hang.

All art by Jenny Davis

Capturing the essence of past eras in my paintings. In this piece, a mysterious woman sits wrapped in a dressing gown, her face shrouded in mystery. To enhance a profound sense of antiquity and the passage of time, I use layers of transparent oil glazes to give a deep, aged feeling to the artwork. I want viewers to feel like they're looking at a portrait that was painted centuries ago,. The dark, rich tones add to the overall atmosphere, transporting us to a different time and place. It's like stepping into a time capsule through my artLayers ... worn, torn, ripped, creased, bent, scraped, sanded, stapled, glued, painted, stained and inked. Each scrap of vintage paper just as precious and and poignant as the other. In making this piece, I immersed myself in a process of creative abandonment, combining splashes of red with the mysterious shadows of black ink. I used acrylic paint and ink, letting each stain tell a part of a story veiled beneath the surface, reminiscent of vintage aesthetics. Layers ... worn, torn, ripped, creased, bent, scraped, sanded, stapled, glued, painted, stained and inked. Each scrap of vintage paper just as precious and and poignant as the other. In making this piece, I immersed myself in a process of creative abandonment, combining splashes of red with the mysterious shadows of black ink. I used acrylic paint and ink, letting each stain tell a part of a story veiled beneath the surface, reminiscent of vintage aesthetics. Sitting beside the Seine river in Asnieres, Paris, France. The creation of order out of chaos and the eventual return to randomness. The antique collage elements, create a textural play with ink blots and stains that tell a story. It's an abstract embrace of vintage aesthetics that speaks of time’s touch on memories. A contemplative piece that invites the viewer to explore the layers of emotion and history threaded within its fibers.
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